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Author Spotlight: Lee and Amanda Breeze

One of the best things about being an author is meeting and making friends with other authors. I’ve talked many times here about how authors are great supporters of each other.

Most importantly knowing other authors means you’re never short of good stuff to read, and the work of Lee and Amanda Breeze is no exception.

I caught up recently with this awesome pair of speculative fiction authors, who also just happen to be married to each other.

Q: Lee and Amanda, can you tell me about your latest book?

Lee: Burn the Sky is a post-apocalyptic, sci-fi action-adventure about a 7-year-old girl who survives a nuclear war. It follows her adventures (and misadventures) growing up in a very different and dangerous world from what it once was while the survivors of this world try to piece it back together.

Q: How did you get the idea for this series?

Amanda: Lee was watching an episode of The Expanse and got thinking about what constitutes hard science fiction. He thought he’d try his hand writing some himself and so came up with the idea for a series based around a mysterious piece of alien technology. He first wrote the prologue, set 10 or so years prior, which became a prequel novella and eventually a full-length novel in its own right. And so Burn the Sky was born.

Q: Have you both always been writers?

Amanda: No, though I had thought about it but never got around to finishing any of the stories I started. One story I began when I was 16. It will never see the light of day.

Lee: I used to write short stories for my own entertainment when I was in school, but all those stories are long lost and forgotten.

Q: Did you always intend on writing together and what’s it like working as a husband/wife team?

Amanda: I wrote a blog post about this, called ‘Married with Characterisation’. In short, it explains that I basically got spooked by the term “author’s widow”: a wife who loses her husband to his writing’. I didn’t want that. I wanted to support him, plus after bouncing ideas off one another, I really got invested in the story and figured I could help by adding colour and depth to his ideas. It worked.

Q: How did you come to be published?

Amanda: Lee saw an ad for a new indie publisher in one of the QWC (Queensland Writers Centre) magazines. He investigated it, and after speaking to the publisher decided to hop on a plane (this was pre-COVID) and take his manuscript down to meet with the publisher in person. The publisher liked the concept and saw potential, so they signed us up.

Q: What are some of the things you do to promote yourselves and your book?

Lee: Covid has not helped with promoting our book with the cancellation of many planned events.

We started off with Facebook advertising and self-promoting within groups that would allow that, but recently, we have moved more into our own personal branding and focused on future works. This has allowed us to gain confidence interacting with broader social media groups (on Reddit, Twitter and Instagram) and contributing to emerging writer’s communities.

Now that things are opening back up, we plan to be more involved in face-to-face marketing events like symposiums, festivals, writing groups, book signings and markets.

Q: What’s something you’d wish you’d known before publishing?

Lee: Editing is hard. Much harder than we thought. All those punctuation marks you find out of place after the book is printed just glare at you as if to say, ‘ha ha, you missed me.’

Q: What advice do you have for aspiring authors?

Amanda: This may sound obvious, but learn to write. I mean really learn how to write. Hone your craft. Find an author you enjoy reading and study their work. Pull it apart and understand what is it about their work that intrigues you. Understand the concepts of character arcs, world-building, story development and plot and enjoy the creative process. Remember, even famous authors had to start somewhere.

Lee: There are many elements in writing a good book, so read, write, edit, watch YouTube videos from published authors and editors, join a writing group like QWC and go to their workshops, learn how to edit…and edit.

Q: Can you tell me about your current project?

Lee: Burn the Sky was our first novel. The final part of the two-part duology is due out in August. Following that, we have another, as yet unnamed science-fiction series that follows on from Burn the Sky. Set in the same universe but some years later, it follows the story of a cocky young pilot named Ash who’s found himself captain of a dead ship. The mysterious technology aboard that ship seems to have attracted the attention of several hostile factions. And for good reason, because the organisation he’s working for isn’t what it seems. It has connections with an ancient and superior race who were once thought to have gone extinct. Now they threaten to return. If they do, nobody is safe.

You can find out more about Lee and Amanda at https://leebreeze.com/ or purchase a copy of Burn the Sky here.

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Famous Authors Who Nail Their Marketing & What You Can Learn From Them

The idea of marketing yourself as an author can be understandably overwhelming, especially if you are in the early stages of your writing journey.

Aspiring authors may wonder what they can do to enhance their chances of making money from their future books. Recently published authors may question what they can do to increase their profile and book sales.

The answer to both of these conundrums is to look to authors who have made it big and see what we can learn from their approach to marketing.

Before we go any further, let me pre-empt and clear up one of the most common misconceptions about this topic. That is, the belief that “marketing is easy for authors who are already famous. They have an audience to market to”.

Let’s lay that one to rest straight away. I would go as far as saying that without exception the most successful authors put the time and effort into their marketing well before they were well-known.

Even if you are starting with an audience of one, it’s better than not starting at all. The sooner you can get a headstart on your marketing the better.

Across the board, successful authors took steps to connect with and give to their audience or ‘community’ early on.

Here are some other key marketing lessons we can learn from famous authors.

J.K. Rowling – Leverage Your World-Building

Let’s be honest, I could spend all day unpacking the genius that is J.K. Rowling but in this post, I’m going to focus on just one element of her marketing strategy.

The Harry Potter series came with in-built marketing opportunities, thanks to Rowling’s detailed world-building and fully fleshed-out characters.

Rowling continues to share character insights and tidbits about the series today through the Pottermore site. Fans can join the Pottermore community for free and complete quizzes that will uncover your wizarding identity, Hogwarts House, Patronus and more.

Content from this site is also shared across social media platforms to continue to feed fans and enthusiasm for the Potter brand.

If you have gone to the trouble of creating rich characters and places, you should look for ways to leverage this knowledge.

This is particularly the case for fantasy writers who often go to extreme lengths for world-building, in terms of language, locations, magic and more.

Look for ways to share little snippets from your books and world on social media and your website that may not even appear in your written work. The more you share, the more real your world becomes and the more likely fans are to engage in it and invest in your work.

Know and Appreciate Your Fan-base

E.L. James – Fan Fiction

Fifty Shades of Grey is one of those books that when mentioned at a writer event is likely to spark a fierce debate about its artistic merit. I tried to read it and 80 pages in decided it wasn’t for me. However, no one can deny that there is obviously a market for this kind of fiction and I’m of the belief that those who don’t like it don’t need to stick their nose up at it.

I for one celebrate the fact that E.L. James wrote a book series that was highly successful (at one point it was said to be selling paperback copies faster than the Harry Potter series) and her fans LOVE it.

This brings me to the marketing lesson of knowing and appreciating your fan base, and E.L. James absolutely nailed that.

James promoted Fifty Shades of Grey in several ways before it went from relative self-published obscurity to a worldwide phenomenon.

It was originally fan fiction for the Twilight series where her episodic pieces soon gained a fan-base.

She nurtured and continually fed this community with regular content she knew her fans would love, until changing the names of the characters, and putting the book on her website.

James also gained grass-roots support by reaching out to relevant book bloggers.

A major part of her success was making her content accessible (and initially free via fan fiction) and nurturing her following.

Elizabeth Gilbert – Facebook Community

If you’re looking for an example of an author who understands her fanbase and how to create a Facebook community, go no further than Elizabeth Gilbert, author of Eat, Pray, Love and Big Magic.  

Of all of her communication and social platforms, Gilbert appears to engage most on her Facebook page. She tends to use Facebook as a mini-blogging platform with lengthy posts addressed to her community. Many of the posts start with the phrase, ‘Dear Ones’, where she speaks directly to each member of her community with honest,
insightful and heartfelt posts that are a signature of her brand.

The lesson here is, it doesn’t matter how or where you choose to develop your community, as long as you do make the effort to do so.

Understand your fans and speak directly to them, giving them the content they want.

Joanna Penn – The Self-publishing and Author Marketing Guru

In the self-publishing world, Joanna Penn provides an authoritative and highly engaging voice for authors wanting to market themselves.

Author of Successful Self-Publishing: How to self-publish and market your book, Penn has the highly successful Creative Penn podcast and at her site, provides extensive resources and tips on how to market yourself.

Penn is an award-nominated, New York Times and USA Today bestselling author, so knows her stuff and is generous with her knowledge.

There is not enough room here to cover all of her marketing lessons but two quotes from Successful Self-Publishing encapsulates the core of her philosophy and what we all can learn from.

“Writing is about you. Publishing is about the book. Marketing is about the reader.”

“Branding is your promise to the reader. It’s the words, images, and emotions that surround your work and the way readers think of you.”

Scott Pape ‘The Barefoot Investor’ – Give Freely

When it comes to non-fiction in Australia, no one has reached the same heights of success in recent times as Scott Pape with The Barefoot Investor.

Pape’s book sold 250,000 copies in the first six months of its release and has topped Australia’s best-selling book lists month-on-end, ahead of non-fiction and fiction titles.

A lot of Pape’s success comes down to his branding nous and giving freely to the audience.

At his website, you can access loads of free resources and content. Visitors to his site then have the option of purchasing his book or joining his membership program.

The idea of giving free stuff to visitors to your site (or via other channels) is that you are giving them a taster and reward for connecting with you. It provides a gateway and conversation starter to encourage them to buy your book, product or services.

The lesson here is to offer something for free such as blog articles or downloadable resources.

You should also include a call to action to sign-up for regular content such as a newsletter where you can promote your paid assets, and potentially convert prospects to sales.

You may also like to have a higher value item such as the first few pages of your book, a short story, or exclusive resources, on your site that can only be accessed by providing an email first.

Finally, make your paid products for sale and very visible on your site, preferably only one click away from your free content.

These are just a few lessons from famous authors and tips to get started with your marketing. What are you waiting for? Get started today!

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Avengers Belonging

3 Things Infinity War Can Teach Us About Belonging

So many of us struggle at one time or another to find where we belong. From kindergarten to university, to the communities we live in, our jobs, and in our relationships – we all want that feeling of belonging. We want to feel we are a part of something, and we can be ourselves.

Even superheroes aren’t immune to this. They need to belong too, at least that’s some of the takeaway messages we got from Avenger’s Infinity War.

  1. Don’t be intimidated  

Picture Wakanda Kingdom. Vision is lying on the examination table while Shuri and Bruce Banner are working on getting the mind stone off him. In just a couple of statements, Shuri makes it known that she is far more intelligent than Bruce and his team (including Iron Man). Bruce Banner must have been blown away by Wakanda’s advanced technology. Interestingly, we don’t see him getting mad or sad because of this. Bruce doesn’t let Shuri’s intelligence intimidate him.

There will always be someone better than you but that doesn’t diminish your value. Don’t let someone else make you feel like you have nothing to offer. Take time and find what you are really good at then connect with people whose interests mirror yours. Recognise that we all have strengths and weaknesses and can learn from each other. If you can’t find a group that values you, look elsewhere. Your tribe is out there, and if you can’t find it, create your own.

  1. Work with others

Have you ever wondered why Thor’s new stormbreaker weapon wasn’t used to destroy all the outriders? Or why Scarlet Witch couldn’t just burn them all? It would have made life so much easier right? Now I’m not a Marvel expert, so I don’t know what legitimate explanations there may be for this not happening, but I do know that even superheroes need help if they are to succeed.

In life, we need each other and working with others creates the bond that we all need. It’s just how we are built. Ask for help when you need it and remember to offer it as well. Don’t let pride get in the way – remember without Groot lifting stormbreaker and providing its handle, Thor’s mighty axe would have been forged.

  1. Don’t let ambition overtake kindness   

Thanos’ ambition was so great that he sacrificed his children to get what he wanted. He sacrificed Gamora, the one person he loved the most in the world, to achieve his ambition.

Ambition is good but it should not make you insensitive to the needs of others. At one point in your life, you will have the chance to be a part of something you treasure. Something that makes you feel like you belong. In your quest, don’t let ambition become so great that it blinds you to the needs of others or leads you to hurt them.

Infinite Opportunities to Belong

If we can realise that likeminded people are looking for the same connection and that by working together and staying sensitive to the needs of others, there is no telling just how far and how deeply we can connect and belong. Just take a look around and you will find ‘infinite’ opportunities to belong and make a difference.

Belonging is a key theme in my fiction writing. To stay in the know about my writing projects and to receive regular writing tips and articles like this, sign up here.

Editing Your Novel

Need to Edit Your Novel? Here’s How to Do It

So you have finished your novel. First and foremost, CONGRATULATIONS!!!

Finishing that first draft of your novel is no mean feat. But while it may be tempting to send it off to an agent or publisher right now, your novel isn’t likely to be ready.

The stark reality of first drafts, is that they are drafts, which means they inevitably need editing.

At some point in time you are going to need some fresh eyes on your work, but the first step is to edit your own work.

It is important to remember that a novel could go through a series of revisions, and the process could take a while but not to feel disheartened – this is a part of the process all writers must go through.

The Three Stages of Editing

The first series of revisions usually relate to the big picture and any structural issues. It’s often referred to as the structural edit. This is where you check on the plot, the goals of your character. You may also choose to correct any errors you discover along the way.

In the second revision, you may approach your edits chapter by chapter or scene by scene, focusing on flow. You will also be reviewing copy line by line to check for consistency, voice and tone, word choice, and other issues that might keep the novel from moving smoothly line by line. This is called the copy or line edit.

The final edit you conduct is what is called proofing to spot any typos or grammatical errors.

Beta Readers

Depending on where you are at with your novel, it might be a good idea to rope in someone else to read your work at the same time. Ideally, you will line up a few beta readers to read a draft that you consider ‘almost ready’.

While it may be tempting to approach family and friends, they do not always make the best beta readers.

Good beta readers are usually avid readers of the genre you are writing in, so can provide informed feedback about how to improve your novel.

Other useful beta readers are people experienced in writing or editing and are passionate about the craft.

It’s always a good idea to give your beta readers some specific questions to keep in mind when reading your novel.

Here are some questions you may like to use for your own editing, as well as for beta readers:

  • Were you hooked from the start? Did you want to keep reading?
  • Did the story hold your interest? If not, why not?
  • Did the following feel vivid and real to you?
    • The setting
    • Characters
    • Dialogue.
  • Were there any parts that confused you? Or even frustrated or annoyed you? Which parts, and why?
  • Did you notice any discrepancies or inconsistencies in time sequences, places, character details, or other details?
  • Do you have any other specific comments you’d like to add that would help improve this story?

Other Self-editing Tips

Change the font type of your manuscript with every round of edits

It’s very easy to get used to reading the same font over and over again. This makes it difficult for your eyes to recognise and spot errors, especially typos.

A neat trick is to change the font after each time you edit. Think of it as the equivalent of a fresh pair of eyes, except that your novel went through a fresh look.

Let it sit for a while

If you have the time and willpower for it, it’s always a good idea to put your novel away for a few weeks or more, to give your brain a break and to give you enough clarity when you come to editing.

Don’t overdo it

Editing is different from writing in the sense that you should not do it all day. Make sure you take breaks and divert your attention somewhere else. When you get back to editing, you will feel refreshed and ready to work with a full charge.

Use editing apps

You will find plenty of apps online to help with editing but the Hemingway app is one of the most in-depth as it tells you when a sentence is hard to read, points out complicated words and adverbs, and offers simpler suggestions for words.

Lastly, hire a professional editor. It may seem counterintuitive considering the work you’ve gone through but a pro can polish your novel further. And that work you’ve gone through will help you grow and improve as a writer, as well as improve your chances of getting published. So take a deep breath and get out that red pen today.

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5 Tips For Writers to Boost Creativity

Creativity has many definitions but when it comes to writing it often refers to the innovative use of the imagination or original ideas to create something.

Whenever we write we’re creating something, but our level of innovation may feel like another matter.

Some days we feel the muse with us, but on other days, weeks and months even, we remain in pursuit of “creativity”.

On our worst days, we’re very good at admonishing ourselves for our lack of creativity and wonder if it will ever arrive or return to us.

The good news is that you can stop wondering. There are lots of things we can do to boost our creativity.

Creativity: Is it Innate or Acquired?

Creativity has been labeled as something innate, but the truth is, creativity is actually a skill that can be enhanced by challenging yourself to go beyond your capabilities.

Here are some techniques you can use to foster your creativity.

1. Restrict yourself

Have you read about Dr Seuss and how Green Eggs & Ham came about? This famous story is said to have been written after Dr Seuss accepted a bet that he couldn’t produce a story using less than 50 words. Of course he proved it was possible with the wildly successful Green Eggs & Ham.

You can mimic Dr Seuss’ success by placing restrictions on yourself. For instance, entering writing competitions with set themes or prompts can help focus your writing and force you to be creative.

As they say, necessity is the mother of invention.

2. Re-conceptualise any problems

Attributed to Einstein is a saying that if he had an hour to solve a problem, he would spend 55 minutes thinking about the problem and leave the remaining 5 minutes to think about solutions.  

Creative people often reconceptualise problems a couple of times before they start a creative task.

It is better to rethink any problems from different perspectives instead of being fixed on one solution or the end goal.

3. Monotask

It has been shown that people are terrible at creating a new work when they are preoccupied with a lot of other things. This scenario happens when you are attempting to multitask. It is best to not interrupt yourself as you start working on your writing projects.

Even if you only have 5 or 15 minutes to write at a time, for that short period be focused on the writing and nothing else.

If ideas come to you when you are doing something else – and they often do – take down notes in an app, your phone or jot it down on paper.

In fact, when you’re really stuck, it can help to do something completely mundane such as housework, or take a walk or a shower to clear your head. Stepping away from the problem or keyboard for a moment can really increase creativity.

4. Stay Positive

Our best creations often happen when we are in a strong positive mood. Negative moods can inhibit creativity, while the feeling of being happy can fuel our creative minds. Trying to remain positive about your project on the worst days can be challenging, but is necessary to keep moving forward to foster your creativity. Just keep flexing your writing muscle and remind yourself that any words you write are a step closer to your end goal, and better writing days will come.

5. Use counterfactual thinking

Counterfactual thinking or the state of asking yourself the question of “What might have been?” is found to increase your creativity. You can try to take events that have happened in the past (to your characters for example) and re-imagine them in different circumstances. For example, if you are trying to solve a problem, try adding “what if” questions to the elements that could have an effect on the outcome.

As you can see creativity is something you can definitely boost and nurture with a few simple techniques. So what are you waiting for? Let’s get creative.

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How to Structure a Novel

I love reading novels, the more fantastical the better. There’s nothing like becoming completely immersed in another world and its characters.

As a writer though, I know this isn’t as easy to achieve as it sounds.

Key to drawing readers into a novel is its structure.

How do you create a good novel structure?

To come up with a good novel structure, you need to establish your trigger points.  

These are the turning points, the major moments that shape your story. They are events that will deeply affect the behaviour and attitude of the main character, and should pique your reader’s interest and urge them to read more.

Generally speaking, each novel should contain the following turning points:

  1. The hook – Begin your story with a strong hook, a line, a question, an event, which immediately sets the scene for the novel and the protagonist’s current situation, and is interesting enough to convince the reader to keep going.
  2. The inciting event – This is the start of the conflict, the change in the reality, or what is different about the day you have started your book. The stakes need to be high for the main protagonist in the first chapter.
  3. Progress – This is where ‘the choice’ is made which will change the course of the main character’s life, and they make progress towards their goal or new path.
  4. The setbacks – A great story has more than one twist. At best, it needs at least three significant setbacks, which will keep the main character swimming in conflict throughout the novel.
  5. The midpoint – this is often in the form of a twist or when everything seems to go wrong or threaten the protagonist. This may involve a moment of character for the main character.
  6. The final confrontation – The part which the whole story leads to, the point where the main character resolves their conflict or there is some resolution of another kind. This is followed by a wrap-up or aftermath of the situation.

Knowing what the trigger points are in your novel will help you structure a novel that urges the reader to keep going.

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Just When You Think You Can’t…Ganbatte

Writing a novel may be hard work but it’s nothing compared to the gruelling task of editing…at least that’s my experience.

You see it’s possible to get on with the task of drafting a novel, even on days when the muse doesn’t show up, you can just keep at it. If you just write, the words slowly add up and eventually you will reach your goal.

The beauty of the drafting process is that you don’t have to overanalyse your words. Most of the time, I can get in the flow and not think too much about the words I’m using.

The most important thing is just getting the words down.

When drafting a novel, I focus on having discipline and word count targets. This may not work for everyone but it does for me and ensures I stay motivated. Setting myself tangible goals, that relate to nothing else other than word counts, means I can make positive progress.

As a result, I find that completing the first draft of a novel is relatively pain-free, and dare I say it, enjoyable! – I knew there was a reason writers put themselves through this torture on a regular basis.

Things though quickly unravel when I get to the first edit or revision of my novel.

At this point, things become a little less tangible. The first edit isn’t about picking up typos and formatting errors, it’s about much more subjective components.

I have to look at my work critically and ask whether the structure, story and characters work, as well as, many other potentially soul-destroying questions.

My Own Worst Critic

Reviewing your own work requires you to embrace your inner critic, but what if you’re too critical of your writing?

If you’re anything like me, you may be your own worst critic and this can send you on a rollercoaster of emotions.

The typical editing process means you can experience any or all of the following on any given day:

  • Imposter syndrome – “I’m not a proper writer, who was I kidding?”, ” I’m a fraud”.
  • Second guessing – “should I change that?”, “I’ll just change that back”, “Was the original version better?”.
  • Negative self-talk – “I can’t believe I wrote this rubbish”, “What was I thinking?”, “I’m not good at this”, “I might as well give up now”.

Occasionally I do have moments, and sometimes days, when I feel like I’m ‘winning’ at editing. I may come across a section of prose that I may not even recall writing and I marvel at it, believing that I may actually be okay at this fiction-writing gig.

Unfortunately though the times I feel like the cat’s pyjamas and am convinced I could be the next JK Rowling, are few and far between.

All too often I feel paralysed and have multiple crises of faith when it comes to editing my novel.

When You Just Can’t

After a lot of trial and error, procrastination and excuses, I’ve found one thing that keeps my editing on track. It’s ‘Ganbatte’.

I’m a self-confessed Japanophile, having lived there for a couple of years, and I have a go-to list of Japanese words that inspire me.

‘Ganbatte’ is one of my favourites. It roughly translates as: keep at it, do your best, don’t give up and work hard.

Japanese often use the phrase ‘Ganbatte kudasai (please)’ in the same way we would wish a person good luck before an exam or performance.

Ganbatte though is less about luck and more about tenacity. As a culture, Japanese value effort and perseverance and this is a quality that I remind myself to embrace whenever I hit upon a difficult editing phase.

Just when I think I can’t keep going with my editing, or there’s no point in trying, I channel the Japanese warrior in me – yes I like to think there’s a little samurai in all us writers –  and tell myself ‘Ganbatte!’.

You never know, it may work for you too. ‘Ganbatte kudasai!’

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Show. Don’t Tell.

Every writer has heard at some stage the phrase “show don’t tell”.

At first I was a little puzzled by what exactly this meant.

As a former journalist I was used to writing straight news stories where you needed to ‘tell’ without your own embellishments or clues.

Over time though, I’ve found it a little easier.

Here are some great tips on how to ‘tell’ less.

Farts. Bottoms. Wee. Poo. Underpants. Books for Little Boys


Image source: http://awwccordion.com/ (memory books)

Farts. Bottoms. Wee. Poo. Underpants. Just why are little boys obsessed with toilet humour? 

I typed this question into google hoping to find some research explaining this phenomenon and all I could find was forum after forum of mother’s asking the exact same questions and how do deal with it?

To be honest Master Five’s obsession isn’t something that I find I have to “deal with”. 

It’s an occasional annoyance more than anything, like when you’re trying to have a serious conversation with him and he answers you with his ‘fart gun’, or when you have to ask him to behave himself in public.

Other than that, I figure, or hope he’ll grow out of it – then I take a look at the grown men in my life and realise, no they never really do grow out of it. From what I can see farts are still completely hilarious in every form.

It seems it’s been a problem of generations if we look back at the classic nursery rhyme: 


Snips (frogs) and snails, and puppy dogs tails, That’s what little boys are made of. Sugar and spice and all things nice, That’s what little girls are made of.


Now if you look this one up on the web you will find parent after parent complaining that boys are portrayed in such a gross manner….but I’m sorry to say, while it doesn’t change how much we love them, little boys are gross…live with it, go with it.

So here I am going with it. A list of awesome books devoted to toilet humour (great Christmas stocking fillers).

1. The Day My Butt Went Psycho by Andy Griffiths (my son is obsessed with the TV version of this at the moment)

2. Why is Snot Green? by Glenn Murphy

3. Father Christmas Needs a Wee and Father Christmas Comes up Trumps by Nicholas Allan

4. Walter the Farting Dog by William Kotzwinkle and Glenn Murray

5. The underpants books: Dinosaurs Love Underpants; Pirates Love Underpants; Aliens Love Underpants by Claire Freedman and Ben Cort.

My top 15 excuses for not finishing my novel yet

This week a friend of mine told me his novel will be finished by the end of the year.

He has a full-time job and three kids, but he has been super disciplined and through sheer determination and hard work…he will have finished.
I’m really proud of him but…it just reminded me how terribly far I have to go.
I have been analysing all the reasons why I still haven’t finished.
It’s been probably 7 years since I started my two novels.
Each of them is around 100,000 words – so I guess I should congratulate myself for getting that far – and now I am at the revising stage.
The revising stage is WAY before the editing stage.
It’s when you go back over things you wrote, maybe 7 years ago, and say “what was I thinking, that is complete crap!” or “maybe I should just completely change that character or plot line”…great idea, I’ll just go back to the start again.
To be honest, I’m not really sure why I have been dragging it out this long, but after some analysis I can tell you here are my top excuses.
1. I hate the revising stage
2. I really should be working instead
3. Oooo Dr Phil/Gogglebox/Masterchef is on the TV
4. I really should be playing lego with my son
5. It’s too late tonight – I’m tired
6. It’s too early to get up – I’m tired.
7. I’m too busy trying to get my business up and running
8. I might just have a ‘quick’ look at Pinterest
9. My writing is crap
10. Maybe I should do some more research
11. I need to clean the house
12. I’ll just take a little break for lunch
13. ‘You have mail’ pop-up
14. I’ll do it tomorrow
And here’s my favourite one.
15. I need to write my blog post (about why I’m not writing) first.
Anyway, I’ve got to run, as I am definitely going to work on the book today…hey look a bright shiny object!
So what are your favourite excuses?
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***Update. The first three novels are completed and just in various stages of editing. Just need a publisher now : ) And keep on writing, right ***