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old bar wooden sign

The Publican’s Return – Flash Fiction

Someone is here. A key falters in the lock until the arthritic mechanisms fall in place. The rusty door knob turns but the front door is unmoving. Then with a grunt and a shove, the door is forced to surrender. Dust motes swirl in the stale, gloomy light of the public bar.

One by one blinking lights flicker to life. A fridge crackles and whirs. An abandoned keg gurgles. The sounds form an intoxicating and familiar rhythm. There is excitement that someone has come…But no…there must be caution. Remember those who’ve come before.

An intake of breath. Everything stills.

The intruder shows herself. She crosses her arms, scrutinising me from head to toe. I know this look. They all arrive with big dreams.

My vaulted ceiling sighs. I remember my humble beginnings as a coaching inn, a stopover for settlers, cedar getters and squatters. The gold rush that saw so many fortunes won and lost. The six o’clock swill. 

Four generations of the one family navigated my helm – gave me purpose. I was a meeting place, a haven – the beating heart of this town.

Within my walls tradies would share a beer and a yarn with their local councillor. After their shift, the police would unwind over a game of pool with the newspaper editor and community radio announcer, confident that almost everything was “off the record”.

Then one day the ‘For Sale’ sign went up. No-one in the family aspired to be a publican.

The next owners arrived from the city, determined to inject some “culture” into the town, into me. They took the chicken parmy and roast of the day off the menu, replacing them with vegan ‘pulled pork’ burgers and fine dining dishes that were half the size and twice the price.

They called me a ‘gastro pub’ and would only serve craft beer. The locals frittered away as did the owners’ life savings and again I was put up for sale. 

The last owner was a part-time DJ who turned the billiards room into a nightclub called the ‘Warehouse’. I was given an industrial makeover, my mahogany bar covered in shiny corrugated iron. The nightclub was a spectacular failure and my doors were permanently closed…until today.

A bar table wobbles to attention when the woman plonks a heavy folder onto its dusty surface. Her eyes sparkle as she pulls out fabric swatches and paint colour cards. They are all heritage samples. Indeed, there is a swatch almost the exact same shade as my original drapes.

The woman pulls out a photograph and props it up against the wall. A dimpled grin spreads across her face and the champagne glasses on the shelf tinkle in recognition. The dimples, the sparkling eyes, they’re the same as the moustached man in the black and white photograph – the first publican.

I exhale. I exhale with such force a rivet pops off my bar, freeing me from my corrugated iron cage. 

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Photo by Maria Orlova via pexels.

Just Perfect – Flash Fiction

‘Showoff,’ she declares as her French polish acrylic nails click on the screen as she swipes left.

‘I thought he looked fun,’ I protest.

‘He was wearing a Captain’s hat at the helm of a yacht…In my experience people who can afford a yacht, don’t need to show it off to the whole world.’

‘But…’

She casts a pitiful look – the kind of look you’d give the runner-up on The Bachelor the moment she realises she’s “not the one”. 

‘Who’s better equipped to do this…Me…’ She flashes her 2 carat diamond ring in front of my face then picks a clump of cat fur off my coffee-stained t-shirt. ‘…Or you?’ 

Why had I let my oh-so-perfect sister get involved in my love life?

‘What about that one?’ I indicate the next candidate.

My sister snorts. ‘The one scoffing a giant pizza slice?’

‘I like pizza.’

‘Seriously, you need to raise your standards. Aim for someone perfect…you know like––’

‘––like my Rohan,’ I say in sing-song.

‘Exactly,’ she smiles triumphantly, oblivious to my sarcasm. ‘The right job. The right friends. The right car. The right look.’

‘I don’t want the perfect guy. I want someone normal…with a sprinkle of different.’

‘Like this guy?’ She points at the profile of a guy with a pencil moustache, dressed as a hobbit. His profile says he likes cosplay and stamp collecting.

‘Maybe not that kind of different.’ 

I give her the nod and she swipes left.

‘You need to switch things up,’ she says. ‘Don’t swipe right for anything less than perfect…that’s what I did.’ 

‘Okay,’ I concede but wish my sister didn’t sound so smug. I’m itching to point out some of her fiance’s flaws but none come to mind.

The muffled notes of the Bridal Chorus ring from her designer bag and she shoves my phone at me so she can answer hers.

I swipe left through a sea of guys, determined to find Mr “perfect”. My finger stills when I get to a hot abs photo. I can’t see the guy’s face and would normally write him off as someone who’s clearly into himself, but my sister did say to switch it up.

‘Do “perfect” abs count?’ I call out as my sister hangs up.

‘Depends on everything else.’ She’s typing on her phone. ‘Just got to cancel our dinner booking. Rohan’s got to work late tonight.’

I read Mr Perfect Abs’ profile out loud. ‘A good sense of humour. Likes dogs and the gym. Six foot. Looking for a relationship. Score!’

‘What’s the rest of him look like?’

I go to the next photo and my breath catches in my throat. I recognise the photo from the engagement party, but he’s cropped everyone else out.

‘Well?’ My sister is back by my side.

‘Ah…he’s not for me.’ 

‘Of course he is.’ She snatches the phone from me and we both stare at the photo. 

My sister’s fiance, Rohan, is smiling back at us and while I know it’s wrong, a small part of me is smiling too.

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Photo by MART PRODUCTION via pexels.

Author Spotlight: Poppy Gee

Poppy Gee is the Brisbane-based author of two literary thriller novels – Vanishing Falls and Bay of Fires – and one of my favourite humans! Not only is she a ridiculously talented writer (she probably won’t like me saying that), she is a big supporter of other authors and an all-round fabulous person.

Poppy has also managed to do the impossible…she has got me hooked on crime and thriller fiction.

As a speculative fiction author and reader, I’m not typically drawn to Poppy’s chosen genre, but that all changed after reading Vanishing Falls. Poppy writes character and setting with evocative precision, without sacrificing story. She carries the reader on an effortless and seamless journey, hooking you from the first page.

I caught up with Poppy recently to chat about all things writing and reading.

Q: Can you tell me about your latest book?

Vanishing Falls is a literary thriller set in a small town deep in the Tasmanian rainforest. In the tradition of the small-town mystery, a woman disappears on a windy, rainy night and the secrets of the townsfolk come under scrutiny as they search for answers about what happened to her.

Q: How did you get the idea for this book?

I like taking a beautiful setting and flipping it to reveal the dark underside. The stunning rainforest villages in Tasmania gave me that starting point. I wanted to write a story containing puzzles within puzzles. The woman’s disappearance is the first crime the reader sees, and it provides the novel’s scaffold but it is not the darkest crime in the story. People commit a crime to conceal a crime, and so on, creating a domino effect.

Q: Have you always wanted to be a writer?

I started writing in a diary from when I was eight years old, almost every day. I love everything about writing, from simple word choice to the rhythm of a sentence, to the incredibly exciting feeling of creating an entire imaginary world.

Q: Can you tell me a little bit about your journey to get published?

I always wanted to be a novelist, and I understood that it was important to have a paying job, so I studied journalism and worked in newspapers and magazines while working on various novels early in the morning or late at night. Eventually, I completed a Masters in Creative Writing, and the manuscript I wrote for that became my first published novel. When I completed the Masters I sent the manuscript to an agent in New York, who signed me, and I’m still with her 11 years later.

Q: What are some of the things you do to promote yourself and your book?

That’s a sobering question because I feel like I don’t do anything proactively to promote myself right now! I write weekly book reviews and share them on social media, which helps to promote other authors. I believe that being a constructive member of the literary community is probably the best way to indirectly promote yourself.

Q: What’s something you wish you’d known before being published?

I have learned that you have to work as hard as you possibly can to polish your manuscript, and then, when you have no juice left in the tank, you still need to somehow find the energy and skill to work ten times harder to polish that draft even more. It’s a massive challenge with no payoff guaranteed. 

Q: What advice do you have for aspiring authors?

Write because you love writing. Write with truth and honesty and with the main aim of creating a body of work that you are personally proud of, rather than judging yourself on all the elements you can’t control such as publishing deals, reviews, sales or invitations to writers festivals.

Q: Can you tell me about your current project?

I have a dark psychological domestic thriller about housewives disappearing in Brisbane which is currently being read by my agent. I have almost finished a psychological thriller set on a private island in the Coral Sea.

Find out more and purchase a copy of Vanishing Falls here.

Connect with Poppy

www.poppygee.com

Instagram: @poppygeenovelist

Facebook: @authorPoppyGee

Twitter: @AuthorPoppyGee

Subscribe to Poppy’s newsletter here

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The Last Comedian – Flash Fiction

The day humour was outlawed was a happy one for Irma Maddex Otic. She celebrated by working three hours of unpaid overtime in her data entry job, logging the serial numbers of thousands of microchips.

Irma is a no-nonsense woman who values hard work and takes her civic duty seriously.

So on her lunch break, she marches down to the Ministry for Humour Control. There is no one in line at the government office but to get to the counter, she has to negotiate a twisted rope barrier system that goes forever. 

‘Do you have a number?’ a man, with an overgrown beard and horn-rimmed glasses, asks at the counter.

‘A number?’

He points at a ticket machine at the beginning of the rope barriers.

‘But I’m the only person here––’

‘Everyone needs a ticket.’

Irma scowls and races through the barriers only to find the ticket machine is broken. She huffs her way back and reports the faulty machine.

The man frowns. ‘I need a ticket number to report broken equipment.’

‘Forget that. I’m here about a serious crime.’

‘Do you have a ticket number?’

Irma’s eyes bulge. ‘It’s ninety-seven.’

‘Madam, it’s a crime to lie to a government official.’

Irma spins on her heels, feeling dizzy as she weaves her way back to the machine. She rips off a partial ticket stuck at the end of the dispenser. 

Back at the counter, the man asks her name, then one-finger types into his computer.

‘Sorry, there’s no record of you. Are you sure that’s your name?’

‘Yes!’

‘I’ll try your address.’

She gives her address.

The man’s brow furrows. ‘The name listed there is “I.M. Exotic”.’

‘It’s obviously a typo.’ She shows her driver’s licence. ‘Fix it, please.’

‘Sorry. Not my department.’

‘Fine! Look up my licence number.’

He types away. ‘There you are, Ms Otic…A couple of security questions…What was the name of your first-grade teacher’s pet?’

‘Are you joking!’

‘We never joke at the Ministry…Oh…’

‘What is it?’

‘The computer needs to shut down for thirty minutes for an update.’

‘You’re kidding.’

‘We don’t kid at––’

‘Can I do this in hard copy?’

The man gives her a form with a bunch of tiny fields, forcing her to sandwich in all the details. 

‘You heard your neighbour laughing?’ the man asks, reading the completed form. ‘How would you describe the laugh?’

‘Huh?’

‘A chortle, a chuckle, a giggle? You’ll need to demonstrate.’

‘What?!’

‘To be sure it was a laugh.’

Irma clears her throat and makes a loud braying noise that reverberates around the empty office.

‘That certainly sounds like a laugh. Thank you for reporting this matter. We will look into it immediately.’

‘Right…thank you,’ she nods approvingly. Irma turns to leave, so she doesn’t notice the man’s beard twitching as he screws up her form and throws it in the bin. 

The man removes his glasses to wipe away a tear. Another job well done for the nation’s last comedian.

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Photo by Tim Mossholder via Pexels.

Here Comes The… – Flash Fiction

The bride wore a second-hand wedding dress from Vinnies that had to be altered. The groom wore a clip-on tie and no pants.

‘Cut!’ the videographer shouts at his assistant like he’s directing some Hollywood blockbuster instead of filming the most ridiculous wedding in history.

I’ve been in the wedding photography business for longer than I care to admit, so I’ve honed my ability not to judge people on their special day – or at least not to appear like I am.

There was the couple dressed as Hobbits who said their vows in Elvish. The bride who wore a full replica of Princess Di’s dress but in acid-yellow. And the groom who insisted on doing a jazzercise routine for the bridal dance, stripping off to an eighties leotard he wore under his suit.  

Then there have been the weddings where you wonder whether loving the other person is actually a prerequisite for getting married. 

I photographed a wedding once where the bride stabbed her new husband with a steak knife over how hot he said one of the bridesmaids looked. 

From the weird to ‘WTF were they thinking’, I thought I’d seen it all but this wedding is a whole new “Tiger King” level of crazy. 

The ceremony was a farce with neither the bride or groom bothering to make eye contact during the vows that were punctuated by snorts and grunts.

The kiss at the end of the ceremony was awkward and forced.

‘Should we get a close up of the bride and groom?’ the wedding organiser asks.

The bride grins at me with oversized teeth, which protrude from her lower jaw. Something green is stuck between them. 

The groom looks like he’s been to the same hairdresser as Boris Johnson. And there’s a distinct wet-dog smell wafting from his direction.

‘I think I’m fine from here,’ I say. ‘I’ve got the zoom—’

‘A close-up, please,’ the organiser insists, ‘I want to give the local paper lots of options.’  

I nod encouragingly at the couple as I approach them, but at that exact moment the groom spits. The foul smelling spittle landing on my suede boot.

I fire off a couple of shots and retreat back to safety.

‘I think I have everything I need,’ I say as I try and wipe my boot clean on the grass.

‘Are you sure? We could try and get another one with the whole family. We can put the bride’s mother and father on opposite sides this time so they don’t kick each other.’

‘I’m sorry, but I have to go to another job now.’

The organiser glances at her watch. ‘Oh…I didn’t think it would take you that long.’

I grit my teeth. ‘The next time I’m asked to photograph an alpaca wedding, I’ll be better prepared.’ 

It’s been hard times for the petting zoo since Covid and I know they need publicity. I just wish they hadn’t called me.

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Photo by Alejandro Avila via Pexels.

female writing

It’s My Job – Flash Fiction

Job title. My pen hovers over the form as I wrestle with what to put down. 

I’d like to say ‘Writer’. Being a writer is my dream job and I do write … when I can. 

I take a deep breath ignoring the searing pain in my jaw and scrawl ‘Writer’. Then my inner voice takes grip. 

Fraud! You’re no writer. 

I squeeze in the word ‘Aspiring’ before ‘Writer’. 

My inner voice chortles. As a job! You’ve missed the boat on that one. 

I did have a job once – before children. I was a Logistics Manager. It wasn’t writing but I was bloody good at it. I’d managed twenty employees and multi-million dollar accounts. I’d moved goods from factory to port to store, from country to country, successfully negotiating everything from customs and union strikes to bushfires and floods. 

I cross out ‘Aspiring Writer’ and squish ‘Logistics Manager’ above the scribble. 

Who are you kidding? You can’t even manage three tiny people, let alone yourself. 

I wince as pain shoots up the side of my face where the soccer ball hit me and dislodged a crown. My seven-year-old daughter had thrown the ball at her twin brother’s head – I’d only just managed to block it. I’d heard them arguing from inside but I’d been caught up making school lunches and chasing my three-year-old around the house after he’d stepped in dog poo. He’d cut laps in fits of laughter like we were playing some sort of game. 

I’ve been in agony for days but my husband is interstate and Master Three didn’t have daycare until today. Clearly I was failing at logistics as well as motherhood.  

I request a new form and a heaviness fills my chest as I write, ‘Stay at Home Mum’. 

‘Are you all right, dear?’ an older woman pipes up beside me.

‘I’m fine, I just made a mistake on the form.’

‘Did you, dear?’ The woman tilts her head. ‘I saw you put ‘Writer’ as your job title but you crossed it out.’

Tell her to mind her own business.

‘Do you write?’

‘When I can.’ My clipped tones don’t invite further conversation.

‘Have you done any training?’

‘Well, I’ve done creative writing courses – quite a few of them. And I’ve written articles for a parenting magazine.’ 

‘Sounds to me like you’re a writer.’

‘No, it’s not like I’m making a living from it. I didn’t get paid for the articles.’

The woman smiles. ‘So you get paid to be a Stay at Home Mum then?’

‘Of course not.’

‘You know I might be getting senile in my old age,’ the woman laughs, ‘but it sounds to me like you’re a writer.’

‘Just letting you know,’ the receptionist calls out, ‘the dentist is running thirty minutes late.’   

Any other time this would send me into a spin but today I see the opportunity.

‘No problem.’ I reach for a notebook in my handbag. ‘I’ll do some writing. It is, after all, my job.’

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Photo by energepic.com via Pexels.

Author Spotlight: Lee and Amanda Breeze

One of the best things about being an author is meeting and making friends with other authors. I’ve talked many times here about how authors are great supporters of each other.

Most importantly knowing other authors means you’re never short of good stuff to read, and the work of Lee and Amanda Breeze is no exception.

I caught up recently with this awesome pair of speculative fiction authors, who also just happen to be married to each other.

Q: Lee and Amanda, can you tell me about your latest book?

Lee: Burn the Sky is a post-apocalyptic, sci-fi action-adventure about a 7-year-old girl who survives a nuclear war. It follows her adventures (and misadventures) growing up in a very different and dangerous world from what it once was while the survivors of this world try to piece it back together.

Q: How did you get the idea for this series?

Amanda: Lee was watching an episode of The Expanse and got thinking about what constitutes hard science fiction. He thought he’d try his hand writing some himself and so came up with the idea for a series based around a mysterious piece of alien technology. He first wrote the prologue, set 10 or so years prior, which became a prequel novella and eventually a full-length novel in its own right. And so Burn the Sky was born.

Q: Have you both always been writers?

Amanda: No, though I had thought about it but never got around to finishing any of the stories I started. One story I began when I was 16. It will never see the light of day.

Lee: I used to write short stories for my own entertainment when I was in school, but all those stories are long lost and forgotten.

Q: Did you always intend on writing together and what’s it like working as a husband/wife team?

Amanda: I wrote a blog post about this, called ‘Married with Characterisation’. In short, it explains that I basically got spooked by the term “author’s widow”: a wife who loses her husband to his writing’. I didn’t want that. I wanted to support him, plus after bouncing ideas off one another, I really got invested in the story and figured I could help by adding colour and depth to his ideas. It worked.

Q: How did you come to be published?

Amanda: Lee saw an ad for a new indie publisher in one of the QWC (Queensland Writers Centre) magazines. He investigated it, and after speaking to the publisher decided to hop on a plane (this was pre-COVID) and take his manuscript down to meet with the publisher in person. The publisher liked the concept and saw potential, so they signed us up.

Q: What are some of the things you do to promote yourselves and your book?

Lee: Covid has not helped with promoting our book with the cancellation of many planned events.

We started off with Facebook advertising and self-promoting within groups that would allow that, but recently, we have moved more into our own personal branding and focused on future works. This has allowed us to gain confidence interacting with broader social media groups (on Reddit, Twitter and Instagram) and contributing to emerging writer’s communities.

Now that things are opening back up, we plan to be more involved in face-to-face marketing events like symposiums, festivals, writing groups, book signings and markets.

Q: What’s something you’d wish you’d known before publishing?

Lee: Editing is hard. Much harder than we thought. All those punctuation marks you find out of place after the book is printed just glare at you as if to say, ‘ha ha, you missed me.’

Q: What advice do you have for aspiring authors?

Amanda: This may sound obvious, but learn to write. I mean really learn how to write. Hone your craft. Find an author you enjoy reading and study their work. Pull it apart and understand what is it about their work that intrigues you. Understand the concepts of character arcs, world-building, story development and plot and enjoy the creative process. Remember, even famous authors had to start somewhere.

Lee: There are many elements in writing a good book, so read, write, edit, watch YouTube videos from published authors and editors, join a writing group like QWC and go to their workshops, learn how to edit…and edit.

Q: Can you tell me about your current project?

Lee: Burn the Sky was our first novel. The final part of the two-part duology is due out in August. Following that, we have another, as yet unnamed science-fiction series that follows on from Burn the Sky. Set in the same universe but some years later, it follows the story of a cocky young pilot named Ash who’s found himself captain of a dead ship. The mysterious technology aboard that ship seems to have attracted the attention of several hostile factions. And for good reason, because the organisation he’s working for isn’t what it seems. It has connections with an ancient and superior race who were once thought to have gone extinct. Now they threaten to return. If they do, nobody is safe.

You can find out more about Lee and Amanda at https://leebreeze.com/ or purchase a copy of Burn the Sky here.

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The Dragon Slayer – Flash Fiction

Five years. That is how long there’s been peace. No more warring factions. No more grief and pain. Then the dragons came.

I’d always wanted to start a story like that. As an author of fantasy novels, I believe every good story needs a dragon…unless it’s these dragons. Forget Game of Thrones. Forget the Hungarian Horntail. These dragons are a whole new Defcon level of scary.

My father had named them, Black Heart, Forked Tongue, and the Silent Assassin – also known as his mother and two sisters.

Black Heart, my Nan, is turning eighty and Dad in a moment of guilt-ridden weakness agreed to a family dinner at the local leagues club. 

So far the evening has consisted of awkward but non-eventful small talk. Then Dad excuses himself to order our meals – his shout.

I shoot Dad a look begging him not to leave me alone. Forked Tongue’s reptilian eyes catch my meaning and she immediately strikes.

‘What’s the matter? You want to avoid us too? Just like your mother.’

I tighten my grip around my glass of wine, wishing I’d ordered something stronger.

‘Mum’s on night shift and couldn’t get out of it.’ It’s only partially untrue.

‘Hmph,’ Black Heart grumbles. ‘I knew your mother was a bad egg the moment I met her. Got pregnant to trap my boy. Could have dealt with it, you know. But oh no, a good Catholic family they were.’

‘Mum, you shouldn’t say such things,’ the Silent Assassin chastises, ‘the girl doesn’t need to hear that she was unwanted.’

I gulp down my wine.

‘Tell me, love,’ the Silent Assassin offers a thin-lipped smile, ‘are you still playing around with those fairy tales?’

‘They’re novels,’ I say through gritted teeth.

‘So nice to have a hobby,’ Forked Tongue chimes in, ‘My two are so busy with their financial advisory company they don’t have time for such things.’

‘It’s not a hobby. It’s my job and I’m doing quite––’

‘No boyfriend either I suppose,’ Black Heart interrupts. ‘You’ll want to hurry up before those ovaries of yours shrivel up.’

I gulp more wine, draining the glass. I need a replacement. Now! Then the answer comes to me. I stand up and shower the dragons with my politest smile.

‘I’m getting another drink but you really must catch me up.’ I turn to the Silent Assassin. ‘Starting with your son in Kazakhstan. So far away but you must see the silver lining – at 17 he’s so independent that he couldn’t wait to leave home.’ I direct myself then at Black Heart. ‘Just like Dad. Couldn’t get out of there soon enough.’ 

Finally, I lock eyes on Forked Tongue. ‘I suppose your two will be off soon as well. After conning you, Nan, Aunty, and all those investors out of millions, they’ll have to go on the run or risk ending up in jail.’ 

Yes. The only certain way to kill a dragon is to let them kill each other.

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Photo by Magda Ehlers via Pexels.

The Graveyard Shift – Flash Fiction

A life-size, paper mache Shrek donkey, on rollerskates, ridden by a bloke dressed as Xena: Warrior Princess – that’s the strangest thing I’ve seen on the side of the road…until now. 

Actually, the donkey isn’t even in my top five of weird things I’ve seen during the graveyard shift at the Roadhouse. 

The Roadhouse is a local icon situated a ten-minute stagger from the town’s pubs and en-route to the university’s residential college. It’s also a regular stop for red-eye coaches and long-haul truckies called Bear, Yowie and the like, so I get to see a very special brand of weird.

What isn’t normal is a soccer-mum Volvo wagon pulling up beside the Roadhouse’s skip, at 3am on a Tuesday. I put down the latest detective novel I’m reading and watch as the driver gets out. It’s a woman in jeans and a black hoodie. She looks around to see if anyone’s watching. I slip out of sight behind the drinks fridge. 

The woman grabs a garbage bag from the Volvo and dumps it into the skip before speeding away. 

Logic tells me it’s nothing, but my curiosity prevails. I don a pair of rubber gloves and retrieve what is a lemon-scented kitchen bin bag from the skip.

My fingers tremble as I open the bag to reveal a single item – a hammer. I take a closer look and my heart stops. There’s a splash of rust-coloured pigment on the hammer. Blood.

I spend the next twenty-four hours debating whether to go to the police, but then an even stranger thing happens. The Volvo comes back.

This time the woman dumps two bags in the skip. What I discover this time sends chills through me. Inside the bags are a saw, a welder’s mask and apron. The apron’s ribbon is singed and there’s a burnt patch in the middle, but I can’t see any blood.

My spidey-senses go into overdrive when the woman turns up again.

This time I sneak up on her and snatch the bag away, ignoring her protests as I pull out a roll of gaffer tape from the bag. 

‘Ha!’ I say in a TV-detective kind of way.

‘I can explain.’

I stop short of saying, Tell it to the judge.

But she does explain. Her husband is having a mid-life-crisis that started with him taking up skateboarding again after 25 years. Despite twisting his ankle he was now building a skate ramp. He’d already mangled his thumb with a hammer and set himself alight welding. She’d gotten rid of his tools to sabotage the project, but then he’d resorted to using gaffer tape to hold the ramp together. 

‘A likely story,’ I say, but then she shows me photos of the project on her phone.

I make a garbled apology and say she can use the skip any time she needs.

‘Or maybe I’ll just up his life insurance policy,’ she says and winks at me.

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Photo by Andre Moura via Pexels.

Full moon and palm trees

Creatures of the Night – Flash Fiction

‘The trick to telling a lie is to keep it believable. There has to be some truth in the lie. And don’t elaborate with too much detail.’

I want to please my dad but my mother told me it was wrong to lie.

Dad must sense my hesitation because he crouches down and puts his hands on my shoulders.

‘Sometimes you have to lie…for the people we care about. You remember why we’re doing this?’

I nod earnestly. I’m secretly thrilled Dad brought me along but my tummy is wound tight like a rubber band. 

‘Good.’ Dad stands and glances up at the full moon. ‘Too much light. We’ll have to be careful.’ 

He pulls the black hood of his jumper over his head and reaches into his pockets for his multi-tool and torch.

A bat swooshes overhead and I visibly shiver. 

‘It’s okay, buddy,’ Dad says with gleaming eyes. ‘I know what I’m doing,’ 

He then slips inside the shed as I hide in the shadows of a mango tree to keep watch. It’s my job to make sure we don’t get caught.

Banging, clanking and tapping sounds spill from inside the shed. The noises probably aren’t that loud, but I’m terrified someone will hear us. 

I glance up to the sky, trying to calm myself. My mum loves the night sky. I’d asked her once why she liked it so much, and she’d sighed – not her tired sigh, a happy sigh. She’d said it didn’t matter who you were, the riches of the night sky were for everyone. Then she’d pointed out all the constellations by name and the features on the moon surface. 

My eyes go to the Southern Cross, then Centaurus. I mentally join the stars to form the half-man, half-horse.

I’m startled as a possum scampers across the back fence. I seek out the moon for comfort. In my head, I recite the moon’s seas – rains, tranquility, serenity, fertility, nect––

The backyard is suddenly flooded with light. My heart pounds as I race to the shed and whisper-shout to Dad. ‘The light’s come on. We have to––’

My eyes fall on the object illuminated by Dad’s torchlight.

It’s a telescope. Not like the cheap one we got for Mum off eBay for Christmas. It fell apart after a week. This one’s the real thing. ‘Wow!’ 

‘Come on!’ Dad grabs me by the arm and we race from the shed, but it’s too late.

The back door flings open and we’re confronted by my mother, her hair wet from a shower.

‘What are you two doing?’ 

I look to my dad but he fumbles his words. I think it’s the excitement of it all. Dad’s been saving up for months for the telescope. He’d hidden it in the shed, waiting until the night before her birthday to assemble it. 

I nod at Dad, as if to say, ‘Don’t worry. I’ve got this.’

I give Mum my best smile. ‘We were looking at the moon.’

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Photo by Tom Fisk via Pexels.