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Discoveries of the Delightful & Gruesome Kind: An Excerpt from The Charmed

The massive structure, three times the size of St Paul’s Cathedral, towered over the surrounding parkland. A feat of engineering and design, its shining glass panels, iron pillars and arched ribs reached for the sky, catching and reflecting the sun’s rays in a dancing kaleidoscope of light.

Symmetrical plate glass walls extended either side of a domed transept, also made of glass. The building had been designed by Joseph Paxton, the Duke of Devonshire’s head gardener and the man responsible for the famous Stove House and lily house Alice had visited at Chatsworth. The Crystal Palace resembled the glasshouse conservatories Paxton was celebrated for but the scale of this structure and its over-sized spans defied belief. It wasn’t just impressive in form and function, it was breathtakingly beautiful. If someone had told Alice the panes of glass were in fact made of crystal, she would have believed them. She was utterly bewitched.

‘It’s just so…so…large,’ the Viscount offered, shaking his head as he came to stand next to Alice in front of the building.

‘One thousand, eight hundred and forty-eight feet long,’ Alice said. ‘More than one hundred and thirty omnibus carriages from end-to-end by my calculations,’ she added in George’s direction, hoping to impress him. 

George though was in deep conversation with Mrs Alden, so Alice settled for an understated and approving, ‘Indeed,’ from her uncle. Fortunately all of his earlier trepidation had disappeared as if by magic. Alice imagined that the Viscount’s active imagination had been diverted and captured instead by the Palace, now he had seen it in person.

Without waiting for the others, Alice strode toward the main entrance, absorbing the murmur of thousands of voices and the clanking of machinery, spilling from the building. She joined the line for the turnstile and let her attention be drawn to the palace interior.

Impossibly the building appeared even larger on the inside. Light flooded the vast space that enveloped her, spilling from the soaring walls and ceiling above. The air was fragrant with a curious mix of woody, spicy and aromatic scents. 

Booths and displays with colourful banners lined the walls in every direction. Chattering people from all walks of life and in all modes of costume bustled around each other, eager to explore what appeared to be a mini city. 

As she reached the centre of the hall, another awe-inspiring sight arrested her. A multi-tiered  crystal fountain stood proudly where the northern and southern transepts met the east and west wings, its shimmering waters cascading down into a glittering pool at its base. Beyond the fountain two fully mature elm trees stretched skywards above the galleries. Alice had read that the transept had been added to accommodate the two trees in Hyde Park instead of felling them for construction. It was a brilliant example of necessity being the mother of invention.

‘What do you wish to see first, my dearest?’ George had appeared next to Alice. ‘There are many fine exhibits of lacework and tapestries that I have seen ladies practically swoon over.’

Mrs Alden and George had visited the Exhibition twice already, in spite of the latter’s disapproval of it in principle. But this wasn’t entirely unusual, as ladies and gentlemen of means must attend on multiple occasions, to be seen as much to see. 

Alice glanced from one end of the building to the next and exhaled. She had marked hundreds of items in her catalogue – self-suspending trousers, a miniature working colliery, waterproof paper – but she kept coming back to the same thing. ‘First I wish to see Hancock’s exhibits.’

George raised a brow. ‘Hancock?’ 

‘The ornithologist I told you about.’

‘Ahh,’ George nodded. ‘Don’t you find such things a little macabre?’ George screwed up his nose. ‘Dead animals.’ George was a gentle soul and squeamish by nature – completely at odds with his towering six-foot-plus frame.

‘Of course I would prefer to see them alive – you know how much I like birds, but those on display here are specimens rarely ever seen. Creatures you must travel to far flung lands to have a chance of seeing, and well…’ Alice’s voice trailed away. She didn’t want to admit that visiting those places was an impossibility she may never conquer.

George gave Alice a sympathetic smile. ‘I’ll take you to see all the stuffed birds your heart desires?’

‘Sparrows,’ the Viscount affirmed from Alice’s other side with a tap of his cane on the timber floor.

‘I don’t think they have stuffed sparrows, Uncle.’

The Viscount indicated the elms with a knowing tilt of his head. ‘A host of sparrows found their way into the building and nested in the elms before the glaziers completed the roof. Messy, disease-ridden things. Couldn’t shoot them,’ he waved his cane through the air, ‘on account of all the glass. Her Majesty sent for my dear friend, the Duke of Wellington, to be rid of them.’

‘Why, of course Her Majesty would look to Waterloo’s grand victor,’ Mrs Alden said without showing the slightest surprise at the abrupt change of subject. 

The Viscount nodded with approval. ‘Sparrowhawks. That’s what he recommended. It worked too…but…’ his wiry brows furrowed, ‘…how well do you think they cleaned up their mess?’ Alice’s uncle peered around as if looking for evidence of disease.

George read Alice’s concern and turned to the Viscount. ‘My dear fellow. The world’s greatest inventions are all housed under this roof. The Prince would have made sure nothing – especially a few measly sparrows – would compromise the exhibits or visitors.’

‘It’s true,’ Alice attested. ‘Mr Paxton himself invented special machines to clean the floors at night.’ She didn’t add that the trailing of thousands of ladies’ skirts had rendered the machines redundant.

The Viscount shifted from one foot to the other as if weighing up the likelihood of being afflicted by a sparrow-related ailment. 

‘George, how about you take the Viscount to see the steam engines?’ Mrs Alden suggested. ‘They are far from the trees,’ she added with a smile directed at Alice’s uncle. ‘And I’ll take Alice to see her birds. We can meet back at the fountain.’

‘Oh, yes that sounds splendid,’ Alice said.

George patted the Viscount on the back. ‘Splendid!’

The Viscount wrung his hands together but allowed George to lead him away. 

Mrs Alden linked arms with Alice. ‘So what is the location of the main exhibit you wish to see?’

Alice reached into her purse for the catalogue, but as she did, a passerby bumped heavily into her shoulder and the book dropped to the ground. 

‘Are you alright?’ A middle-aged man with sideburns that grazed his chin and an indigo cravat tied at the front of his throat, stood in front of her. His kind eyes scanned her for injury. Alice recognised him immediately.

‘I’m…I’m…,’ she stammered.

‘Mr Paxton,’ Mrs Alden curtsied. ‘It is quite the honour.’

‘Here.’ A young man standing beside Mr Paxton handed Alice her catalogue with an easy smile.

Mr Paxton acknowledged Mrs Alden’s greeting with a nod but turned back to Alice. ‘Are you alright?’

‘I’m fine, thank you,’ she hurriedly curtsied, ‘Mr Paxton.’

‘I’m sorry, but have we met before? It seems these days that I meet a thousand new people daily,’ he said with an apologetic smile.

‘Oh no,’ Alice gushed, ‘we haven’t met in person. But I have seen you at work at Chatsworth and admired your work on many occasions.’

‘This is the Countess Conway.’ Mrs Alden stepped forward and indicated Alice, who tried to disguise her discomfort at her title being used. ‘And I am Mrs Alden. A friend of the Countess and her uncle the Viscount Hyde.’

Realisation washed over Mr Paxton’s face. ‘Of course…The Viscount and my employer, the Duke of Devonshire are well acquainted.’ He bowed to both ladies. ‘Lady Conway, Mrs Alden, a pleasure.’ 

He then indicated the young man who had picked up Alice’s book. ‘And this is Mr Ashley.’

Mr Ashley tipped his hat. ‘Charmed,’ he said with dancing eyes that twinkled in the phantasmic light of the palace.

‘Mr Ashley is apprentice to the Exhibition’s Caretaker,’ Mr Paxton continued as he glanced around. ‘Ahhh. Mr Symond.’

Mr Paxton gestured to a tall man standing a couple of feet behind him, who Alice hadn’t even noticed before now. Mr Symond was as tall as George, she estimated, but had a leaner, more agile build. His wavy hair and moustache were an unremarkable shade of brown. His brows appeared permanently arched over eyes that constantly roved his surroundings. He seemed either ignorant or indifferent to Mr Paxton’s attempt at introduction. A fact that miffed Alice, as she was used to having people’s attention.

‘A pleasure to meet you, Mr Symond,’ she said with a hint of sarcasm.

A weighty silence followed before Mr Symond finally deigned to acknowledge Alice and Mrs Alden, first with a slight nod, then a gaze that was as sharp and angular as his jaw line. His blue-green eyes reminded her of jewels frozen in ice.   

Just as swiftly Mr Symond went back to surveying the crowd. 

‘Please forgive my master,’ Mr Ashley proffered in a hushed voice. ‘He takes his role as Caretaker very seriously. He is permanently vigilant for anything amiss at the Exhibition.’

‘Of course,’ Alice replied with a polite smile, hiding her immediate dislike for the sour man. Yet she was determined he wouldn’t destroy her enjoyment of the Exhibition.

‘Is it true that you used the Amazonian giant water lily as inspiration for the ridge and furrow system used first at Chatsworth’s lily house and also here at the Palace,’ she asked Mr Paxton in a flood of words.

Mr Paxton, who must have heard the question many times before, had the good nature to respond with a generous smile. ‘I was quite struck by the underside of the leaves and the network of flexible cross-ribs that gave it the strength to support a child.’  

Alice sighed. ‘I so wish I’d been there to see your daughter Annie standing on one of the leaves. It must have been quite a sight!’

‘It was,’ Mr Ashley said brightly and patted Mr Paxton on his back. 

‘The ridge and furrow system at the lily house, the way it maximises the light and ventilation…but this…’ Alice looked all around her and sighed again. ‘It’s something completely…unexpected.’ She locked a serious gaze on Mr Paxton. ‘It’s just as they say in the newspapers; it’s like a fairy palace!’

Mr Paxton and Mr Ashley exchanged an amused look, but Mr Symond sniffed loudly.

‘You seem to have an unusual interest in architecture,’ Mr Symond said in such a way that most definitely was not a compliment. Alice was surprised he’d fallen short of adding, ‘for a lady’ to his statement.

She met his discerning stare, daring him to insult her further. 

‘Lady Conway is interested in many things,’ Mrs Alden retorted in an uncharacteristically snippy tone. ‘If you will excuse us, we would like to see some of those things.’ She went to steer Alice away by the arm. 

Mr Paxton held his hands up in protest. ‘Please, let me do the honour of showing you around a few exhibits.’

‘Thank you, Mr Paxton,’ Mrs Alden said, ‘but that won’t be necessary. I’m sure you have other matters and guests to tend to.’ She tugged at Alice’s arm but the latter wouldn’t budge. 

Mr Ashley caught Alice’s eye then winked. ‘There are no more important guests at this very moment than you, Mrs Alden, and Lady—’

‘Alice. Just Alice.’

Mr Ashley grinned. ‘No one more important than you and Alice. What do you say, Mr Paxton?’

Mr Paxton chuckled. ‘I say, let’s begin the tour.’ He held out his arm for Alice, which she gratefully took, extricating herself from Mrs Alden’s grip.

Mr Ashley clapped his hands together. ‘We must start where everyone starts…the Koh-i-Noor diamond. One of the most mysterious and captivating gems in the world.’ He added the last part in a theatrical voice.

Mr Symond rolled his eyes and spun on his heels while Mrs Alden muttered, behind Alice, something about Mr Hancock’s stuffed birds.

‘I would love to see the diamond,’ Alice said. The birds weren’t going anywhere – they were stuffed after all – but the opportunity for a guided tour from Joseph Paxton himself would never arise again. She didn’t even care that the newspapers had declared the diamond a disappointment, describing it as “colourless” and poorly cut.

Mr Paxton led Alice to the centre of the nave in the eastern transept where a surging crowd ringed a gilded iron cage that was twice the height of the onlookers. Policemen attempted to control the crowd but were nearly being carried off their feet. One of the officers was in conversation with Mr Symond who scrutinised the crowd before striding away.

‘The Koh-i-Noor, which means “Mountain of Light” in Persian, is the largest diamond in the world,’ Mr Paxton said. ‘It is believed to have originated in India before being seized by a Persian King. It changed hands many times, in war and conquest, before being presented to Her Majesty, Queen Victoria.’

Alice nodded politely. He was telling her nothing she didn’t already know. 

‘The most advanced security measures have been put in place to protect the diamond,’ Mr Paxton continued. ‘At night, on the touch of a spring, the Koh-i-Noor drops into an impregnable iron safe. The same thing happens if anyone tries to remove it from the display. Mr Symond oversaw the ingenious design with the manufacturers of an unbreakable lock.’  

Mr Ashley spoke to a policeman who made way for them to approach the display. 

‘Some say that the diamond is cursed,’ Mr Ashley said dramatically. ‘A Hindu description of the diamond says that the person who owns the diamond, also owns the world, but if that person is a man they will only know misfortune.’

Alice raised a quizzical brow. This was something she hadn’t heard before. ‘So only a woman can own or wear it?’ 

‘A woman or a God.’ He winked again.

Alice couldn’t quite figure out if Mr Ashley was joking with his references to curses and more than one God.

Mr Paxton frowned. ‘It’s just a myth, of course, Mr Ashley.’

Mr Ashley nodded vigorously. ‘A myth. Of course.’ 

Alice peered through the bars of the cage at a glass dome in the centre. Beneath the dome, displayed on red velvet, was a diamond – the Koh-i-Noor – about the size of a pigeon’s egg, flanked by two smaller diamonds. 

She squinted to get a better view through the bars and glass. For as long as she could remember, Alice possessed a remarkable eye – an ability to see things that others missed and what came into focus was as disappointing as she’d feared. 

It was unlike any diamond she had ever seen before and it did lack lustre. But it did have colour. Undesirable colour. The diamond was flawed at its core. Its heart was marred by yellow flecks, preventing the diamond from being cut as it should and effectively refracting light. 

She stepped back from the cage with a heaviness in her own heart. ‘I believe it is cursed,’ she said quietly.

Mr Paxton’s brow bunched in concern. ‘What makes you say that, Lady Alice?’

‘The diamond bears the scars of the conflicts and conquests that have brought it here. Perhaps it should be returned to its home.’

There was an earnest silence among Alice’s companions, though she did notice that Mr Symond was back and the coldness in his eyes had been momentarily replaced by curiosity.

Mrs Alden was the first to speak. ‘Quite right,’ she asserted, gripping Alice’s arm tightly. ‘Let’s go look at something more pleasant.’ She led Alice away from the cage and into the nearby Egyptian and Turkish exhibits.

As Mrs Alden enthused over lush carpets and rugs featuring intricate geometric patterns and floral motifs, Alice occupied herself with a case of coral and other ornaments.

Mr Paxton and Mr Ashley some time after approached her. ‘I’m so sorry, Lady Alice,’ Mr Paxton said. ‘I didn’t mean for you to get upset.’

Alice shook her head emphatically. ‘Oh no, Mr Paxton. You have nothing to apologise for. Sometimes I get carried away with my thoughts. You see there is a whole world of questions out there that remain unanswered.’

Mr Ashley gave a cheeky grin. ‘And that world is even bigger than you think.’

Mr Symond who was hovering at a small distance, screwed his mouth up in distaste then addressed his apprentice and Mr Paxton. ‘May I have a private word with you two gentlemen?’

The trio moved away from Alice leaving her to further explore the exhibits. There were silver cups and saucers, assorted bottles of scents and a display of ostrich feathers. Wanting to see the feathers in a different light, she took several steps backward and her heels knocked up against something firm behind a decorative rug that hung against a dividing curtain. She cautiously pushed the fabric aside to reveal a body slumped against the wall. The body of a young woman, her eyes wide and lifeless.

Alice’s breath leapt from her throat. She hurried to check the woman for a pulse, but there was none and there was no warmth in her skin. She looked for signs of obvious injury, but couldn’t see any. She looked again. Her high-necked collar was askew. Two buttons were missing. Alice peered closer. Red bands traversed her neck. The woman had been strangled.

Alice stood back up, her mind racing as she tried to make sense of the situation. Who could have committed such a heinous act, amid the crowds of the Exhibition? 

‘Alice.’ A familiar female voice. ‘Alice, there you are.’ Mrs Alden materialised beside her. ‘I’ve been looking for you every—’ Mrs Alden’s gaze fell on the woman’s body and she screamed. 

‘She’s dead! A woman’s dead.’

People – so many people – rushed at Alice and Mrs Alden. A crescendo of cadaverous chatter rolled toward them like an all-consuming tidal wave. Alice tugged at her own collar, fighting to breathe.

‘Step back!’ Mr Paxton was there first, standing between Alice and the crowd. ‘Make some room!’ 

‘Deep breaths, Lady Alice. Deep breaths,’ Mr Paxton prompted.

Then Mr Ashley was there with three policemen, and they stopped the onlookers from getting too close. Mr Symond was nowhere to be seen, presumably he was looking for the culprit.

Alice sucked in chestfuls of air. By the time Paxton had examined the woman’s body himself, Alice’s breathing had returned to almost normal.

Mr Paxton tugged at his cravat. ‘I’m sorry to ask this, but I need you to do something for me.’

Alice gave a tiny nod.

‘We can’t panic everyone. A scandal like this will be the end of the Exhibition. I want to say that this is your friend and that she has just fainted.’

‘Fainted!’ Mrs Alden objected. ‘The girl is dead.’

Mr Paxton lowered his head. ‘Yes. I am very sorry for it.’ He looked up again and put his hand over his heart. ‘And I can assure you that we will have the matter fully investigated. But right now we need the crowds to leave and go back to their business. The Prince. Her Majesty. They will be relying on us.’

Mrs Alden cast Alice a questioning look. She nodded in response. She couldn’t be responsible for destroying the Great Exhibition.

Mr Paxton spoke to the policemen and Mr Ashley, before announcing to the crowd that the woman had merely fainted. The crowd slowly began to disperse. Their chatter now laden with disappointment.  

‘We must go find your uncle,’ Mrs Alden said gently.

‘I’m sorry, but the police will want to speak to Lady Alice,’ Mr Paxton said. ‘I’ll take care of her and make sure she gets home safe.’

Mrs Alden reached for Alice’s hand. Hers was warm and comforting, drastically different to that of the young woman propped against the wall. ‘Will you be alright?’

Alice nodded again. It seemed words were beyond her.

‘Can I rely on your discretion, Mrs Alden?’

‘Believe me, Mr Paxton.’ Mrs Alden glanced at the body and cringed. ‘I don’t wish to think of, or speak of this ever again. Not to anyone, not even your uncle, Alice.’

Mrs Alden squeezed her hand then walked away. Alice watched her leave through the crowd, moving with an unaffected confidence that only Mrs Alden could possess in such circumstances. A figure stepped aside for her, a sturdy fellow dressed as a country gentleman, wearing a felt riding hat with a pheasant feather tucked in its brim. His pallor was as stark as the murder victim’s. He then looked back in Alice’s direction and caught her eye. His craggy features froze. He blinked rapidly before turning and running away.  

A chill surged through Alice’s body. Had she just seen the killer?

This was not what she had imagined when she’d yearned for great spectacles at the Exhibition.

The above is an excerpt from The Charmed, the first book in my Fae of the Crystal Palace series – Bridgerton meets Sherlock Holmes with fae!

“A young woman who believes in impossibilities in Victorian England, discovers secrets, magic and perhaps even love beyond her wildest imagination…she just needs to solve a couple of murders first.”

The Charmed will be available in November 2023. You can pre-order/purchase here.

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two cats leaping the air

The Aerial Princess: Flash Fiction

‘Are you sure it’s safe?’ Ignatius Pobblewell III stands in the centre ring of the circus tent, his top hat askew, wringing his gloved hands. The grand opening of his ninja cat circus is mere hours away, and they are far from ready. He stares up at the death-defying trapeze that is one-and-a-half times higher than any other, as well as the massive span to traverse. ‘What if he falls?’

Phoenix, his star performer and ninja cat circus co-founder, lounges lazily in a corner, sharpening his throwing knives. He waves a dismissive claw. ‘Cats always land on their feet.’ 

High above them, a grey Persian in an indigo spangly costume with stars on it and a cape, clutches his paws together as if in prayer, his knees wobbling and eyes clamped shut.

The last minute auditions had been a disaster. One cat tripped over its own tail before reaching the trapeze ladder, while another managed to get stuck on a pole halfway across making the traverse. It had taken a cherry picker and several hours to save the cat, who understandably had fled the circus tent, vowing never to return.

‘What’s taking so long anyway?’ Phoenix stabs the knife he is holding into the sawdust covered ground. ‘I don’t have all day for these auditions.’

‘We can delay the opening,’ Furball, Phoenix’s long-suffering assistant and sister, suggests beside him.

Phoenix rounds on her, his green eyes flashing. ‘A ninja cat circus is not complete without a stunt that demonstrates our superior ability to leap through the air.’ 

Phoenix stalks over to Ignatius and hollers up to the Persian, ‘Get on with it!’   

‘I…don’t…think…I can,’ the cat calls back through chattering teeth, his tail fluffed up like a bottle brush.

‘What’s his name, again?’ Phoenix hisses at his sister.

Furball pushes her tortoiseshell glasses with frames matching her coat, up her nose. ‘His name is Fluffy.’

Fluffy.’ Phoenix visibly shudders. ‘No that will not do. Terrible name.’ He directs his attention back to the trapeze. ‘Fl-u-ffy,’ he feigns a benevolent tone, ‘would you mind terribly, hurrying it up a tad?’

‘But I’m afraid of heights,’ Fluffy yells back.

Ignatitus’s eyes widen. ‘Why on earth is he auditioning for the trapeze?’

Phoenix shrugs. ‘We needed a trapeze artist. All it took was the promise of a never-ending supply of catnip.’ He purses his lips. ‘Obviously he didn’t have enough before he went up there.’ 

‘You can do it, Fluffy,’ Furball calls out in genuine encouragement.

Phoenix rolls his eyes. ‘Yes, yes, Fluffy, you can do it.’

Fluffy stares down at the circus floor far below, and gulps. With trembling paws, he swings his furry body forward, reaching out to grasp the trapeze bar. The silence in the circus tent is palpable as he hangs suspended in the air, his cape rippling in the wind. His claws make contact with the bar and for a split second, it appears they had found their trapeze artist. But his grip slips, and he hurtles downward, a tumbling indigo and silver ball with limbs flailing, his fall punctuated by claws-on-a-blackboard-screeching. 

With a thud, Fluffy lands safely in a giant airbag beneath the trapeze. He appears unharmed.

Fluffy emerges from the airbag, his spangly costume awry and adorned with a fresh dusting of sawdust, his cape tangled around his neck. His whiskers quake, his eyes saucers. 

Furball and Ignatius rush to Fluffy’s side. 

‘Are you alright?’ Furball reaches out to check Fluffy for injury but he bats away her paw angrily.

His fur ruffles and ears flatten against his head. ‘No amount of catnip is worth that.’ He shakes a fist up at the trapeze. ‘Or putting up with you.’ He glares at Phoenix. ‘Good day to you all.’ 

He lifts his chin, flips his cape back over his shoulder, and hobbles with as much dignity as possible from the circus tent.

Furball makes to go after Fluffy but Phoenix orders her not to. ‘We don’t need scaredy cats like him.’

Ignatius takes off his hat and rakes his fingers through his hair. ‘Now what are we supposed to do?’ 

Phoenix smirks. ‘I suppose you could always give the trapeze a try.’ He chuckles at his own joke and shoots an expectant look at Furball until she too laughs.

Ignatius’s features contort, his face blazing cherry-red. ‘Hilarious, given I’m not a cat and this is a ninja cat circus!’ He shakes his head to himself. ‘I have put every cent I own into this. I’m ruined.’ He throws his hat on the ground, tears brimming in his eyes. He heaves a sigh and trudges out of the tent.

Phoenix gives another shrug and goes back to sharpening his knives. 

Furball frowns. She knows her brother has a gruff and at times unpleasant demeanour but it is mostly bluff, a protective mechanism. They had been separated from their mother as kittens, and it had been Phoenix who’d kept them alive. He was the one who made sure they had enough to eat and had somewhere safe to sleep. Yes, he gave his sister her name after she had nearly choked on a furball, but he was also the one who saved her with the Heimlich manoeuvre. And yes, she did sport a scar or two where he had used her as a target for knife-throwing practice, but that practice had meant no one ever dared threaten either of them, and those skills had brought them here. The ninja cat circus was their ticket to all their dreams, never having to worry about where their next meal was coming from again. And the circus had another purpose. A purpose the siblings held close to their hearts.

Furball approaches her brother. ‘You’re not going to give up. This is too important.’

Phoenix tightens his grip on the knife in his hand. ‘You should know by now that life doesn’t always turn out the way you want. The circus was a stupid idea anyway.’

Furball marches over to stand directly before Phoenix, and juts out her chin. ‘The ninja cat circus is a brilliant idea – your idea as much as Igantius’s. I know you can do it. I believe in you.’

Phoenix bares his teeth. ‘Well you shouldn’t. I have failed. Don’t you see, it’s over.’

Furball, though, stands her ground. ‘We can’t give in when we’re so close. We have your act. We have Tawny and Tori the tumbling acrobats. We have the pole and rope climbing routine, and then there are the swords, staff and throwing stars demonstrations. We have enough.’ 

Phoenix shakes his head. ‘It’s all filler. The top-billed act, the one everyone is talking about, is the world’s highest trapeze. We can’t go ahead without it.’ Phoenix hangs his head. ‘It is over. We will have to go back to the streets.’ He looks up at his sister from downcast eyes, his tail drooping. ‘I’m sorry, Furball, but without the circus, we’re stuck here and we’ll never find our mother.’

He turns away before Furball can protest, his shoulders slumped with defeat. She feels a mix of frustration and determination surging through her. She refuses to let their dream crumble so easily, especially when their mother’s whereabouts hang in the balance.

With grit and resolve, Furball marches over to the ladder leading up to the trapeze. Ignoring the doubts echoing in her mind, she grasps the first rung and propels herself upward. Her agile paws find firm footing and she ascends, gaining confidence with each step. 

She reaches the top. Phoenix’s gasp reverberates around the empty tent.

‘No Furball. Come down. It’s too dangerous,’ he cries.

But it only spurs her on. Right now her brother needs her. She takes a deep breath and reaches out for the bar. Her paws grip the metal tightly as she pulls herself up. Furball swings herself forward, soaring higher and higher, Phoenix’s cries nothing but background noise.

She swings toward the bar in the distance, the span she must traverse appears even wider up here. She inhales deeply, summoning all her courage, and takes a leap of faith, her paws lifting from her bar. The air rushes past her as she swings through the void.

Instinct takes over and she twists, twirls and spins in mid-air, her eyes searching for the other bar. She sees it. She holds her breath and with outstretched paws she reaches for it…

Furball latches onto the other bar and her heart swells as Phoenix applauds and gives a protracted victory meow. 

High on a newfound sense of accomplishment Furball doesn’t remember getting back down to the ground but she is there with Phoenix wrapping her in an embrace. 

‘That was incredible! I…I didn’t know you had it in you.’

Furball, still catching her breath, manages a tired smile. ‘We can’t give up, Phoenix. The circus, finding our mother…We have to keep going.’

Phoenix’s usually stern expression has vanished. He looks at his sister, his expression filled with admiration. ‘You’re right, Furball. We’ll make this work. Together.’ His brow furrows. ‘There’s just one problem.’

Furball’s throat constricts. What was he about to say? Had all her effort been a waste?

Phoenix then grins. ‘If you are to be our trapeze star, you will need another name.’ Furball blinks rapidly. ‘And I have the perfect moniker in mind.’

‘Alright,’ Furball says hesitantly.

‘You shall be called Priscilla.’

Furnall gapes. ‘Our mother’s name?’

‘Exactly,’ he declares. ‘But not entirely the same name. You, my magnificent sister, will be Priscilla the Aerial Princess.’

Furball beams with pride. Thanks to her, the ninja cat circus was saved, and if that dream can come true, there’s no reason others couldn’t too.

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Photo by Gratisography via Pexels.

Imperfect Goddesses: Short Story

Ms Murphy values perfection above all things – at least when it comes to the things she can control. When it comes to the things she can’t control, she finds it prudent not to acknowledge their existence. Unfortunately no-one had informed the universe, which is why the goddesses and gods, and perhaps even God themself, had something entirely different in mind for Ms Murphy. Something far from perfect. 

*** 

At precisely 10am every Saturday, Ms Murphy studies the Letters to the Editor. She finds comfort in the routine, tutting over the typos and grammatical errors. Prior to that she reads the obituaries even though she never recognises any of the names, which is exactly how she likes it. 

Determined to keep the world at arm’s length, Ms Murphy’s weatherboard cottage sits at the end of a cul-de-sac, protected by an overgrown, yet carefully maintained fortress of fuchsia bougainvillaeas, gnarly-branched banksias and several varieties of lilly pillies. The only real sign that someone might live there is a mailbox with a “No Junk Mail” sign. “Absolutely no exceptions” has been handwritten in flawless calligraphy under the first line. These measures ensure everything is as it should be in Ms Murphy’s world. 

On this particular day, she looks up from the paper to take a sip from her fine china teacup – a flash of blue in the backyard catches her eye.  

Ultramarine blue fragments dance across Ms Murphy’s pristine lawn. Ultramarine – the colour prized most by renaissance artists. The colour of her most prized possession…Her silk scarf!  

The teacup falls from her hands. Royal Doulton shards swim in a puddle of inky tea. Her heart races faster than her seventy-something-year-old legs and sensible shoes can carry her. Shaking hands struggle to unlatch the sliding door. 

Outside, an unseasonal northwesterly wind bites cold. A scrap of ultramarine fabric skips past her. Smaller confetti-like pieces gambol around her feet. Her eyes go to the clothesline, where she’d hung out the scarf earlier that morning, but only one ragged ribbon remains.  

At the foot of the Hills Hoist is the tail-wagging, border collie/cattle dog/something-or-other. The dog has a black mask-shaped patch on its face, giving it the appearance of a raccoon. A remnant of Ms Murphy’s scarf hangs from its mouth.  

Tears prick her eyes. Then comes the tidal wave of anger. 

Ms Murphy recognises the dog from the rental property three doors down. She’d seen the ragamuffin of a girl who lives there, sitting on the lawn one afternoon, sharing a squeezy yoghurt with the dog, while regaling it with some kind of story that required great waving of hands. 

She ties rope to the dog’s collar and marches the animal down the street.  

At the tiny fibro rental, she notes the weeds and ankle-length lawn. She presses the doorbell, but there’s no answer. She taps her foot and presses again – still no response. 

‘It doesn’t work,’ someone – a girl – bellows. 

Ms Murphy turns but can’t locate the owner of the voice. 

‘Up here!’ 

Ms Murphy looks up. The ragamuffin girl sits in a mango tree, peering at her from large nut-brown eyes that dominate her urchin face.  

The dog barks a greeting.  

The girl scowls. ‘What are you doing with Batdog?’ 

‘Batdog?’ 

‘He has a mask like Batman.’ The girl puts a hand on her hip. ‘He’s a superhero.’ 

Ms Murphy’s hands clench by her side. ‘Where’s your mother, young lady?’ 

‘Asleep.’ 

‘What is she doing in bed at this hour?’ 

The girl, who looks no older than eight, scrambles down the tree and yanks the rope-lead from Ms Murphy’s hand.  

‘None of your business,’ the girl says. 

‘Tully!’ A bleary-eyed woman wearing a crumpled uniform appears in the doorway. ‘Don’t speak like that.’  

The woman and the girl, Tully, share the same cartoon-big eyes and manes of curly hair. 

The woman gives Ms Murphy an exhausted but friendly smile. ‘Were you waiting long? The doorbell doesn’t work…I worked all of yesterday at the hospital…I’m a cleaner there…then the night shift at the roadhouse…Got to make ends meet…’  

Ms Murphy purses her lips at the woman’s rambling.  

‘…Sorry, I’m Bianca, you’re Miss Murphy aren’t you?’ 

A muscle in Ms Murphy’s cheek twitches. She hates people knowing her business.  

Ms Murphy,’ she corrects. Professor Murphy, actually, but that would lead to further conversation.  

Tully cocks her head. ‘Mzzz?’ 

Don’t be rude, Bianca mouths at her daughter, then turns to Ms Murphy. ‘How can I help you?’ 

Behind her mother’s back, Tully pokes out her tongue. 

Ms Murphy squares her shoulders, ready to begin her lecture, but there’s something in the mother’s tired smile that stops her.  

‘I wanted to return your dog,’ she grumbles instead.  

‘Oh…Thank you.’ 

Ms Murphy grunts an acknowledgement and leaves.  

‘We’ll see you around, Ms Murphy,’ Bianca shouts. 

I certainly hope not, Ms Murphy thinks.  

Back at her house, Ms Murphy collects the scarf pieces and places them in the bin. She doesn’t unpeg the last piece from the line. It would make it too final.  

*** 

A week later, Ms Murphy is kneeling on her front lawn, digging up clumps of clover by hand when she hears yelling. 

‘It’s all your fault,’ a girl screams.  

‘I don’t have time for this, Tully.’ Bianca’s raised but exhausted voice. 

‘You’re the worst mum in the world!’ 

Ms Murphy heaves herself to her feet and hurries back inside her house. 

Not even ten minutes pass before she hears a knock at the door.  

‘Ms Murphy, are you there?’ Bianca calls.  

She stays hidden behind the closed front door. 

‘Ms Murphy?’ A strangled cry. 

Ms Murphy takes a deep breath and opens the door, immediately regretting it as Tully stomps straight past her into the house. 

Relief floods Bianca’s face. ‘I’m so glad you’re home. Tully was supposed to have the day with her father…but he didn’t turn up…again.’  

Ms Murphy casts a nervous look over her shoulder, as a chorus of ‘oohs’ and ‘ahs’ ring from room to room. 

‘I have to work at the hospital,’ Bianca continues, ‘but my usual babysitter is on holidays…’ She finally stops to take a breath. ‘I’ve got no-one else to ask…Can Tully stay with you for the day?’ 

‘Stay?’ Ms Murphy squeaks. 

A desperate look. 

Ms Murphy thinks she must be losing her mind, but she wants to help Bianca. 

‘Well, she’s here now…’ she says gruffly. 

Ms Murphy is pulled into a hug, limp arms pinned to her side. 

‘Thank you so much.’ Bianca’s voice wobbles.  

Ms Murphy finds the girl in the dining room staring at a well-stocked bookshelf.  

‘You have so many books Mzzz Murphy. Are you rich?’ 

‘No I am not. And that is a very rude thing to ask.’ 

Tully tilts her head. ‘How do you learn things if you don’t ask questions?’ 

‘Well…’ The girl made an excellent point. 

‘You must find lots of answers in your books.’  

‘Well…yes.’ Ms Murphy’s books are devoted to art and mythology. The subjects she had studied and taught at university. 

Tully grabs a book from the shelf. The pages fall open to a picture of Botticelli’s Birth of Venus. It is the painting that first ignited Ms Murphy’s passion for art and mythology. A smile tugs at the corner of her mouth but quickly vanishes. 

Tully giggles. ‘That lady doesn’t have any clothes on.’ 

‘That lady is the goddess, Venus.’ 

Tully scrunches up her nose. ‘I thought Venus was a planet.’ 

Ms Murphy sighs; the girl talks as much as her mother. 

Tully jabs a finger at a crystal crucifix on the wall.

‘My grandmother had one of those. Do you believe in God?’ 

Does she? Ms Murphy was raised in a good Catholic family and as a child loved many things about church, particularly the beautiful statues and stained glass that gave everything an ethereal glow. But there was also the fire and brimstone sermons…and other things…In any case, a lifetime of indoctrination is hard to shake.  

‘Yes…I believe in God,’ she says slowly. 

‘So if Venus was a goddess, was she God’s wife?’ 

Ms Murphy’s head spins. She looks at her watch. It’s only 9.55am.  

‘Morning tea,’ she declares. 

Ms Murphy prepares tea under a barrage of questions. She swirls boiled water around the pot, ‘to warm it’. She puts three spoonfuls of Bushells in the teapot, ‘one spoon for each person and one for the pot’. She pours the tea and puts a – ‘it looks like a jumper’ – tea cosy on the pot. 

Tully’s already large eyes grow when she spies a plate of butterfly cakes. She goes to grab one.  

Ms Murphy tsks. ‘First the tea. How do you take it?’ 

Tully rests her elbows on the table, her chin in her hands. ‘How do rich people take it?’ 

Ms Murphy grits her teeth and pours Tully a milky cup of tea. She offers the girl cake.

Tully shoves it into her mouth. ‘This is sooo delicious.’ Crumbs sputter everywhere. 

‘Don’t speak with your mouth full.’ 

Tully gulps down the cake. ‘Mum doesn’t bake cakes…She doesn’t bake anything.’ 

‘I don’t suppose she has much time for baking.’ Ms Murphy opens her newspaper and turns to the obituaries. 

‘That’s probably one of the reasons Dad left.’ 

Ms Murphy pretends she can’t hear and starts to read. 

‘It’s her fault Dad doesn’t visit. If she was nicer to him, he would have come today like he promised.’ 

Something catches in Ms Murphy’s throat but she continues to read. 

When she finally looks up from the paper, Tully isn’t there, but a grinning Batdog is. 

‘Tully?’ Ms Murphy searches the house, coming to a stop outside the second bedroom. The door is ajar. The light is on. Ms Murphy’s heart stills. She pushes the door open and creeps forward.  

‘This is amazing!’ Tully waves her hands at the paintings on the wall and floor. They are modern reinterpretations of well-known Renaissance paintings. 

Ms Murphy’s eyes, though, are on the bed. Neatly made as if waiting for someone. 

‘You shouldn’t be in there.’ A raspy whisper.  

‘But who did all these? This looks like the one in the book.’ Tully points to a half-finished replica of The Birth of Venus. The painting is nearly complete except for Venus’s face. 

A hard lump forms in Ms Murphy’s throat. She hadn’t been able to get the face right. It was supposed to be a gift for Rose. It needed to be perfect.  

‘Did you do these?’ Tully coos. ‘They are sooo beautiful.’ 

‘Please, come out.’ Ms Murphy’s voice shakes. 

‘Whose room is this?’ 

Something breaks inside Ms Murphy. ‘It’s Rose’s room.’ Control leaves her voice. ‘But she’s dead. Are you happy now?’  

A barking Batdog barrels toward them.  

Tully’s bottom lip quivers and she runs from the room. Batdog tilts his head, as if deciding who needs more comforting. He ultimately follows Tully. 

Ms Murphy takes a deep breath and secures the bedroom door. She finds Tully on the lounge, hugging the dog’s head to her chest. 

‘I’m sorry I got angry.’ Ms Murphy sits down beside her. ‘My privacy, though, is important to me. Do you understand?’  

Tully nods. ‘Who was Rose?’ 

‘My…My best friend.’ 

‘I had a best friend once…Her name was Alice but when I couldn’t go to her birthday party she got mad and said we couldn’t be friends anymore.’ 

‘I see.’ Ms Murphy did in fact see. 

‘That’s Mum’s fault too.’ 

‘How?’ 

‘She said I couldn’t go to Alice’s party because we couldn’t afford a birthday present.’ 

Sweat springs from Ms Murphy’s palms. She is reminded of when the nuns gave her the cane for not attending mass. Ms Murphy and her family attended mass religiously – except when they had no money for the plate.  

She meets the girl’s eyes. ‘Tully, you have a very good mum.’ 

‘Alice’s mum is a good mum. She makes Alice’s favourite lunches, even sushi…I don’t like sushi…blergh…but if I did…Alice’s mum bought her sparkly sandals from a real shop. Alice’s mum is perfect.’ 

Ms Murphy thinks about her own mother who’d been ostracised after a sixteen-year-old Ms Murphy attended a life drawing class. The mother who sat proudly next to her daughter at church – even though her daughter wore boy-short hair and trousers. Her mother was an angel, but not even she was perfect.  

‘No mother is perfect, and it’s wrong to expect perfection from anyone or anything.’ Was she talking to herself or Tully? 

‘I just wish…’ The girl’s eyes brim with tears. 

‘Let me tell you about a mum.’ 

Ms Murphy tells Tully about Juno, the goddess of marriage and childbirth. How Juno’s husband was unkind to her, but she took control of her destiny, overcoming great hardships, and even though she made mistakes, she was a great leader and mother.  

She shows the girl a picture in one of her art books depicting part of Rubens’ Juno and Argus. The picture focuses only on the striking goddess and the woman beside her decorating the plumage of the peacock. Ms Murphy points out how Juno was often portrayed as a vengeful and wrathful Queen, ‘but in this painting she is shown as regal and compassionate.’  

The girl sniffs back her tears. 

‘Can you teach me more about the goddesses?’ 

Ms Murphy’s heart lurches at the girl’s earnest face. 

‘Yes. I’ll teach you about the goddesses.’  

*** 

‘Hey, Mum.’ Tully throws her arms around Bianca.  

‘Hi?’ Bianca accepts the embrace with a puzzled smile. 

‘Bye Mz––’ A thoughtful pause. ‘Mzzz Murphy…what’s your real name…you know, your first name?’ 

‘It’s Diana.’  

Ms Murphy was born on Blessed Diana’s feast day. It was a good Catholic name. 

‘Diana? Wasn’t she a goddess?’  

Bianca raises a questioning brow. 

‘Yes. Diana was the goddess of the hunt. Someone who followed her own goals and dreams.’ 

Tully nods knowingly. ‘That’s why you were named after her.’ 

A shadow of a smile plays on Ms Murphy’s face.  

‘Bye, Diana.’ 

Ms Murphy – Diana – doesn’t correct her. ‘Goodbye, Tully.’ 

Batdog nuzzles her hand before following Tully out. 

The next thing Diana says is unplanned, but perhaps inevitable. ‘Bianca, next time you get stuck…’ 

*** 

The following night, Bianca, Tully and Batdog appear on Diana’s doorstep, a sleeping bag tucked under Tully’s arm. 

‘They called me in for the night shift.’ An apologetic smile. 

‘Of course,’ Diana says gravely, trying not to let on how glad she is to see the girl.  

Tully’s goodbye to her mother is punctuated with hiccuping sobs.

Had a bad day, Bianca mouths to Diana.

Once inside, Diana asks Tully what happened.

The girl bursts into tears. ‘The mean boys at the park said I’m a loser because my mum buys all my clothes at the op. shop.’

Diana’s hands form into fists…She takes a deep breath. ‘Do you know what I do when I feel sad?’

Tully shrugs.  

‘I look up,’ Diana says. ‘Up to where the goddesses live…’ 

Diana takes Tully outside and shows her the night sky. She points out Venus, then the Milky Way. She tells a story about how Juno had been breastfeeding Hercules, ‘but the baby suckled too hard, and she pushed him away. Her milk sprayed across the heavens forming the Milky Way.’  

Tully erupts into giggles. ‘That would make a good painting,’ Tully says. 

‘It has been the subject of many paintings.’ The thought becomes words before she has time to interrogate it. ‘Would you like to learn to paint?’ 

‘Would I ever!’ the girl squeals and Batdog barks along with her.  

That night, Diana airs out Rose’s room. She makes the bed with clean sheets and she tucks Tully and Batdog into Rose’s old bed. 

*** 

The weeks that follow are all chaos, unpredictability and imperfection. There are painting lessons, mythological stories, walks on the beach, cups of tea and endless questions. There is a plan for an art show. 

The day of the show arrives. Two paintings are on easels draped with velvet. 

Tully wrings her hands. ‘I’m too nervous to do it.’ 

Diana unveils Tully’s artwork, a recreation of Rubens’ Juno and Argus, but there is no Argus. Just a woman in a uniform, holding the hand of a girl – they share the same wild, curly hair. They decorate the feathers of a peacock.  

‘She’s a goddess,’ Tully explains. 

Bianca’s eyes swim with tears.  

Tully’s face crumples. ‘Don’t you like it?’ 

Bianca rubs her eyes. ‘I love it.’ Tully exhales loudly. ‘But I didn’t know peacocks had pink and purple feathers.’ 

Tully tsks. ‘This is modern renny-a-sense, Mum.’ 

‘…Of course…It’s beautiful.’ 

‘Diana has a painting too.’  

It’s Diana’s turn to be nervous.  

Tully lifts the velvet to reveal a reimagined and finished, The Birth of Venus. Diana has included herself as the goddess of the seasons, welcoming Venus to the shore. And Venus’s face is complete.  

Bianca and Tully stare at Venus. ‘She’s beautiful.’ 

‘She’s the most beautiful woman I’ve ever known,’ Diana says matter-of-factly.  

‘Who is she?’ 

Diana looks up from the painting to the backyard. On the line the last fragment of her ultramarine scarf flutters in the southeasterly breeze. The scarf bought for her by… 

‘…Rose,’ Diana says. 

‘She was Diana’s best friend,’ Tully explains. 

‘She was also my wife,’ Diana adds. A sudden lightness fills her chest. It is the first time she has used the word “wife” in that way with anyone other than Rose. 

A gust of wind tugs the scarf fragment from the line and carries it away.  

Mother and daughter’s hands find Diana’s. Batdog nuzzles Diana’s leg. They all smile at Venus. 

‘I want to say it’s perfect but…’ Tully glances at Diana, ‘…is that okay?’  

A big breath. A release. ‘It’s perfectly okay.’ 

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abandoned circus tent

Drum Roll Please: Flash Fiction

Ignatius Pobblewell III was born to run a circus…until the day he wasn’t. 

The era of the great circus showmen was over. The strongman took a pay rise to become a WWE wrestler. The bearded lady discovered laser hair removal. And WorkSafe banned launching people out of cannons. The final straw was the last It movie – now everyone was scared of clowns. Stephen King has a lot to answer for. 

The golden glow of the centre ring evaporates as Ignatius turns off the circus tent lights one-by-one. He heads to his trailer in the showground.

As Ignatius hangs up his ringmaster hat for the last time, his twirly moustache droops. His eyes fall on a fruit basket from the fortune teller. Her heady perfume still lingers in the air. A heart-shaped note says: Congratulations on your triumphant return. She was a terrible psychic.

Ignatius reaches for a banana. There is a flash of black and the banana disappears before his eyes. He leaps from his chair. 

‘Who’s there?’ His eyes dart. There’s no one. 

Hesitantly, Ignatius reaches for a grape.

A flash of black again and a razor-sharp claw plucks a grape, then a second one…a third…until nothing’s left.  

Ignatius reaches for the basket but in the blink of an eye it’s gone. He races from his trailer and spots a figure silent and still in the shadows of the tent.

‘Hey you!’ he yells and makes chase. 

The figure, with the basket, scampers up the side of the tent, runs across the top then somersaults to the ground. 

Ignatius follows the thief to an abandoned trailer. There, surrounded by empty popcorn boxes and dagwood dog wrappers, a black cat stuffs strawberries into its mouth.

‘Who are you?’

‘I’m Phoenix.’ He pats a soft and doughy stomach then belches. His tummy immediately deflates. ‘I’m the show cat.’

‘You enter cat shows?’

Phoenix shakes his head. ‘The show. My mother travelled with a show family, but I got left behind here at the showground. I’m waiting until she returns.’  

‘How long have you been waiting?’

Phoenix counts on his claws. ‘Thirty-five cat years.’

Ignatius frowns. ‘I’m sorry, but I don’t think she’s coming back.’

‘She will,’ Phoenix hisses. 

Ignatius has a seed of an idea.

‘Why don’t you join me? Maybe we’ll find your mother.’

Phoenix’s eyes narrow. ‘Me? Join the circus?’

‘Well you have got some impressive acrobatic skills. Are there others like you?”

‘There’s only one Phoenix, but I expect other cats have similar talents – we are the superior beings.’

Ignatius’s mind whirs. More like Phoenix.

He makes a drum roll sound. ‘Roll up, roll up, for the marvellously, magnificent…’ his showman’s voice oozes like honey, ‘…Ninja Cat Circus!’ Ignatius looks eagerly at Phoenix.

Phoenix rubs his whiskers. ‘What’s in it for me?’

‘Top billing…and your own trailer.’

‘An endless supply of toffee apples?’ 

‘Of course.’ 

‘And fairy floss?’

‘Obviously.’

Phoenix holds out his paw. ‘Deal.’

Then, as if on cue, Ignatius’s moustache springs back to life. 

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Question marks in various colours

Riddle Me This: Flash Fiction

‘Do fish have eyebrows?’

I was in the middle of a budget meeting on Zoom when my three-and-a-half-year-old son, Sam, popped up in the background and asked the question.

My boss laughed politely at my son’s unexpected appearance and gave Sam a small wave. 

“Cute kid,’ she said with a strained smile. ‘…So back to the profit and loss sheet—’

Sam tugged on my sleeve. ‘Well do they?’

I indicated to my boss that I just needed a minute. I turned to Sam and shifted into “I’m-trying-really-hard-to-be-a-present-Mother” mode. 

‘Sorry, darling. Do they what?’

Sam huffed. ‘Have eyebrows.’ 

‘Well…’ I had to think about my answer – like really think about it. ‘…No, I don’t think so.’

I turned back to the computer screen but there was another tug on my sleeve, more urgent this time.

I took a deep breath. ‘Yes…Sam.’ I was trying to sound patient but it was hard with my boss giving me a mega death stare.

Sam’s brow crinkled, giving him an earnest look well beyond his years. ‘Why not? Why don’t they have eyebrows?’

‘I don’t know, darling.’

‘But why?’ he cried, his tiny hands clenched into fists by his side. ‘W-h-y!’

The Zoom call ended in a cacophony of frustrated cries and tears – mine and Sam’s – and marked the transformation of my son into “The Riddler”.

As time went on the questions became more complicated and unexpected, usually coming out of context. I was in the middle of a dentist appointment when Sam asked me whether bread lost its nutritional value when it was toasted…He was four. How did he even know the word “nutritional”?

Our family and friends thought Sam’s insatiable appetite for random facts was endearing, and I wanted to encourage my son’s curious nature, but it wasn’t easy. His impassioned and sometimes convoluted queries were relentless. More often than not I couldn’t provide a satisfactory answer. It was exhausting.

While Sam’s friends were finger painting, he was reading every 1001 Facts book he could get his hands on. 

By the time Sam was ten, he would start a conversation with, ‘I have two questions and a statement’. I should have been happy that he still wanted to share things with me, that he came to me instead of google with his questions, but it was a lot to deal with among the thousands of competing demands on my time. 

But now…I’d give anything for one of Sam’s questions. I’d welcome the interruption. I’d stop whatever I was doing and give him my full attention. I’d tell myself nothing was more important than being there for my son…but it was too late. 

Now, I’m the one who asks the questions. ‘How was your day?’, ‘What are you doing tonight?’, ‘What would you like for dinner?’. My questions hang unanswered in the air – unless you count grunts and one syllable words as answers. 

Sam is no longer The Riddler – he’s officially a teenager.

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Book cover with opening line

The Pledge: Fae of the Crystal Palace – A FREE Origins Story

To celebrate the upcoming launch of first book in my Fae of the Crystal Palace gaslamp fantasy romance series, The Charmed, I have released a FREE origins story, The Pledge, which sets the scene for this Victorian England with Fae world.

With the Great Exhibition as a backdrop this series is perfect for fans of Bridgerton and Sherlock Holmes, all with a touch of fae magic.

The best news is that you can access the book on all major eBook retailer sites for FREE right now – no email address required! Get your copy via the links below. If you enjoy it, a review would be appreciated particularly on Amazon or Goodreads.

If you want to stay informed about special offers and my book news, sign up here. You will get a free copy of my book Seeds from the Story Tree – a collection of my awarding-winning speculative fiction stories and other short works, which is exclusive to my subscribers.

The Pledge: A FREE Fae of the Crystal Palace Origins Story

The Pledge: A FREE Fae of the Crystal Palace Origins Story

Bridgerton meets Sherlock Holmes in this Fantasy Romance Series with Fae.

***THE PLEDGE IS A SHORT STORY***

A Fae Ranger sent through a portal to Victorian England to stop an assassin faces an impossible choice: save her family or the Fae Realm in a battle between the light and darkness.

 

Order Now!
About the Book
This origins SHORT story sets the scene for the Fae of the Crystal Palace – a gaslamp fantasy romance (with a touch of mystery) series. It is available as an eBook on all major online book retail sites including Amazon Kindle, Apple, Google Play, Kobo and Nook.
Kylie Fennell

I’m an Australian author of speculative fiction, fantasy and fabulism for the young and young at heart. Writing about strong female leads who metaphorically and literally kick butt particularly appeals to me, as does magic…always magic! I live in Brisbane (Yuggera Country) with my husband, son and too many pets.

Details
Author: Kylie Fennell
Series: The Fae of the Crystal Palace, Book 0
Genres: Fantasy, Romance, Young Adult
Tag: Free books
Publisher: Lorikeet Ink
Publication Year: 2023
ASIN: B0BNSS7QSD
ISBN: 9780645405255
Disclosure of Material Connection: Some of the links in the page above are "affiliate links." This means if you click on the link and purchase the item, I will receive an affiliate commission. I am disclosing this in accordance with the Federal Trade Commission's 16 CFR, Part 255: "Guides Concerning the Use of Endorsements and Testimonials in Advertising."

The Dance Off: Flash Fiction

‘Bloody heck.’ Tammy shakes her head. ‘Barry’s at it again.’

Cheryl follows her friend’s gaze to the gangly male specimen “dancing” in front of them. Barry is indeed at it again.

He waves two spindly arms in the air, his legs sway erratically underneath him as if they have a mind of their own. His bulging eyes never leave Cheryl.

‘What’s he doing? Waving his hands in the air like he just don’t care.’ Tammy emits a high-pitched squeal of delight. 

‘He could be doing the YMCA,’ Cheryl offers, acknowledging Barry’s attentions with a micro smile.

‘Go Barry! Go Barry!’ Tammy chants and Barry gyrates his hips in response.

Cheryl slaps her friend on the arm. ‘Don’t be mean.’

Tammy rolls her eyes. ‘I don’t know why you two don’t just do it…get it over with.’

‘You know why,’ Cheryl hisses.

‘But I thought you liked him.’

‘Exactly. You seem to forget – the good ones never stick around.’

‘Or the bad ones for that matter,’ Tammy shrieks, her whole body wobbles in glee. ‘Oh…hang on…’ Tammy’s head swivels at the arrival of another contender – a leaner, younger and fitter-looking version of Barry. 

Tammy shimmies. ‘Now, that’s what I’m talking about.’ She waves at the newcomer. ‘Hey, Toby!’

‘Toby?’

‘He’s new to these parts.’ Toby waves back at Tammy then thrusts in Cheryl’s direction.

Cheryl has never liked showy types and they don’t come any showier than Toby. He takes up position next to Barry and gives a much more coordinated dance display than his older counterpart. Barry shoots his competition a death stare and ramps up his gyrating to head-spinning heights. Before long the pair are engaged in a full-blown dance off. Barry stomps his feet rapidly on the ground in some form of flamenco. Toby counters with something that looks like Riverdancing.  

‘Look at you, Chezza, getting all the attention.’ Tammy squeals. ‘You’re a real maneater. Which one are you going to choose? Please say, Toby. He’s perfect “fling” material.’

They’re all just flings. Cheryl sighs. ‘If you like him so much. Why don’t you go after him?’

‘I couldn’t.’ She pats her sizable belly and grins. ‘I’ve just eaten…Ha! Check Toby out now! He’s actually begging you to pick him.’ 

Tammy is right. Toby holds both arms aloft, his hands pressed together in a praying position.

Cheryl’s mouth twitches indecisively. 

Tammy pats her arm. ‘They know what they’re getting themselves into.’

‘Do they?’

Tammy tilts her head. ‘It’s got to be Toby,’ she says in a quiet voice. ‘It’s the only way to protect Barry.’

Protect him from me. The thought rings angrily in Cheryl’s head. 

‘Don’t punish yourself, it’s in our nature. And look…’ she indicates Toby who’s performing a one-legged balancing trick, ‘…he’s already halfway to being legless…’ She shrugs. ‘…Or headless.’ 

Cheryl lifts her chin and points at Toby. The praying mantis courtship ritual is over and Barry will live to dance another day.

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starry space sky

The Frontier: Flash Fiction

Hank Williams warbles from the speakers as I tap my replica cowboy boots on the console. A siren pierces the air. I scramble to attention. The console is a sea of flashing red lights. A solar storm!

High Noon is a long-range freighter but slow – she can’t outrun the storm or withstand the solar flares. I’m days from the closest planet and my destination – Tombstone – a convict mining colony. I’m also out of communication range…and out of my depth. 

Only yesterday I was a space-Uber driver addicted to old cowboy movies. Today I’m supposed to be delivering freight to the real frontier – home to the galaxy’s most notorious prisoners, including spaceranger, Edy Knell. Wanted for murder and armed robbery but most famous for a bucket-shaped helmet with an eye slot – I’d wanted to see Knell in person, but now all I wanted was to stay alive.

Then hope flickers on the nav-screen. An asteroid belt and a farming station – an Xvine farm! Xvine are bullet-sized creatures farmed for protein. Their normal diet is asteroid dust but they’re partial to verelleum – the fuel needed for long-range travel. I’d heard of Xvine herds destroying entire ships.

I call the station. The voice at the other end asks about my ship then says, ‘Hurry!’

Alarms scream as the storm starts and I enter the asteroid belt – the ship shakes like a bucking bull. 

The station comes into sight as a cloud of blue swarms towards my fuel tank – xvines!  

There’s a high-pitched squealing as the creatures gnaw through my hull. The ship shudders in protest. Just ahead the station’s docking bay door yawns open. 

With a final blast of my jets the High Noon careens into the bay.

I exit the ship on shaking legs. 

‘Rough ride?’ an athletic-looking woman in a black jumpsuit remarks, her eyes on my damaged hull.

I wipe my sweaty brow. ‘You could say that.’ 

The woman disappears from sight then returns with what looks like ship plate armour. ‘This will slow the xvines down.’ She starts patching the hull. 

I realise the creatures nearly penetrated my cabin. I have a sudden urge to vomit. ‘Bathroom?’

She points to a corridor without looking up. 

After the bathroom I stop to admire a photo of an older couple wearing plaid-trimmed coveralls – the woman’s mother and father? There’s also a cross stitch of a cottage with a white picket fence. Two blue wrens sit on the fence and there’s an apple pie on the windowsill. It seems at odds with the woman in the docking bay.

An engine roars to life – High Noon’s! I race to my ship. My eyes go to the ‘Tombstone Corrective Services’ insignia on the armour she used to patch my ship, then I see her…She winks at me from High Noon’s console then pulls a bucket-shaped helmet over her head. 

I watch in stupor as my ship pulls away from the remote station…it seems I’d got my wish.

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A picture of a dragon with smoke in the background

The Ultimater: Flash Fiction

The dragon scales prickle at my touch before relaxing in recognition. I settle into my wolf-buck saddle handcrafted by the famous artisan elves of Esour. 

I reach for the reins and there’s a moment of pause…a knowing…an imprinted memory that great danger awaits on the shifting horizon.

This, of course, is not the first time we have been on this quest. 

I wait for your signal. You must decide when we set forth. I do not question this. It has always been this way. It is the lore of our kingdom. It is what has brought us this far. While we have a symbiotic relationship, I am under no illusion that I am a mere passenger in this mission. 

The mighty dragon wings extend and beat the air furiously until we’re airborne. Wind ripples through my hair as we swoop over the swaying land-kelp forest. A scattering of huts and stone buildings comes into view and the villagers scurry like ants beneath us. They run after us, cheering us on. And there is music. A relentless drumming driving us onwards.

The dragon’s snout points towards the ragged crystal alps shrouded in ink-black clouds. Beyond the mountains lies the key to saving our King, imprisoned for so long by an evil force – the Ultimater. 

A master of time and mind control, the Ultimater can show her face at any time.

The alps loom closer. The clouds loom closer again, breaking apart, splitting into smaller, swirling masses of smoke. 

The air crackles as the smoky shapes contort. They take the form of chimeras with the heads of a lion and two spitting serpents. They flap their giant bat wings before launching star-shaped blades from their claws.

We duck and weave, avoiding the first wave of stars, but our dragon fire is useless against the creatures made of smoke.

Another wave comes, but your reflexes are slower than usual and half a dozen stars slice my torso.

Blood pours from my wounds but I’m numb to the pain. 

You have to get me close enough to use my diamond-edged sword. You respond immediately and we maneuver into place. 

I arc my sword through the first chimera, vaporising it. Then the next one, and the next. We move in perfect sync. We get to the last one but a string of star-blades peppers me just before my sword cleaves through the chimera.

I feel life fading from me. Just a bit further, I tell myself. If we can just make it to the alps, I can take a moment to regenerate. Just a bit further.

We are almost at the alps, the key is within our grasp, when I recognise the voice of the Ultimater.

She screeches her catchphrase at you. ‘Time’s up!’ 

The unseen villain’s indiscernible threats are the last thing I hear before everything goes black.

***

“One day, I’ll get to finish that level,” the boy grumbles as his mother drags him to the dinner table. 

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Photo by Laith Abushaar on Unsplash

Woman in cat mask

Who’s Da Boss? Flash Fiction

‘Stop being a pussy,’ Bruce hisses in a low whisper as Tuxedo glances furtively down the hallway into the master bedroom.

Tuxedo turns back to meet Bruce’s narrowed eyes, his masked face tilts in question. 

‘We’ve gotta move,’ Bruce growls, recalling how much he hates working with amateurs. ‘The sun is coming up.’

Tuxedo’s eyes follow the dawn light creeping along the floor. His gaze goes up the wall to the photo of the smiling son on his new bicycle. ‘But they seem so nice.’ 

Given Tuxedo’s background – not dissimilar to Bruce’s – it’s no surprise he’s looking for a replacement family, but they have a job to do, and with dawn fast approaching there’s no time for sentimentality. 

Bruce has to get through to him…fast.

‘Tuxedo. Bruce tries not to choke on the ridiculous name the poor kid had been given and forces a patient smile. ‘I know this is all new to you, but it’s the natural order of things. In this world there is “us” and “them”.’ Bruce nods in the direction of the bedroom. ‘We need to let them know who’s in charge.’

‘But––’

Bruce raises a meaty paw and swats Tuxedo in the face.

‘Enough pussyfooting around. Are you one of us…or one of them?’ Bruce snarls.

Tuxedo shrinks back against the wall. ‘One of us…Us,’ comes Tuxedo’s shaky reply.

‘Good. Exactly how we discussed.’

Tuxedo nods vigorously.

Bruce slinks into the bedroom with the precision and stealth of a tiger hunting its prey. Watching Bruce, it’s easy to see where the term cat burglar got its meaning.

Tuxedo mimics each of Bruce’s movements, following him until they are in position. They’d agreed that Bruce would “take care of” the husband while the wife was Tuxedo’s “mark”.

Bruce mouths a countdown of three…two…one and they pounce in unison.

The wife screams and the husband sits bolt upright.

The wife bats furiously at Tuxedo who had landed on her stomach and proceeded to claw her belly.

The husband is on his feet trying to extricate a hacking Bruce from the basket of clean washing where he has already deposited a sizeable furball – his signature move. 

Eventually the cats are wrangled and dumped unceremoniously in the hallway – the bedroom door slammed in their faces.

Bruce grins like a Cheshire…well you know…He then lets out a loud series of meows, which clearly translate to: Same time tomorrow?

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